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The heike shamisen compared with a medium-sized, or chuzao shamisen Plectrums for a minyo and heike shamisen. The heike shamisen (Japanese: 平家三味線), is a Japanese musical instrument, member of the shamisen family. Like its other counterparts, the heike shamisen has three strings, a slender neck, a body taut with skin, and it is plucked ...
The heike shamisen (平家) is a shamisen particularly fashioned for the performance of the song Heike Ondo, a folk tune originating from Shimonoseki, Yamaguchi Prefecture. The neck of the heike shamisen is about half the length of most shamisen , giving the instrument the high range needed to play Heike Ondo .
A single drummer alternates between the two drums and the taru barrel in his or her ensemble, in intricate drumming techniques. Heike Ondo is accompanied by a kind of shamisen called the Heike Shamisen, which has a shorter neck than most shamisens in Japan, and thus, a higher range. The narrative is quite long and is rarely ever sung in its ...
Kouta (小唄, lit. ' little songs ') is a type of traditional Japanese music that originated in the red-light districts of Edo period (1603–1868) Japan, before developing further and experiencing wider popularity in the geisha districts that succeeded many red-light districts.
The Burden of Love: ... Heike (book 9) Saoyama: ... Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; ...
Tsugaru-jamisen (津軽三味線, つがるじゃみせん) or Tsugaru-shamisen (つがるしゃみせん) refers to both the Japanese genre of shamisen music originating from Tsugaru Peninsula in present-day Aomori Prefecture and the instrument it is performed with. It is performed throughout Japan, though associations with the Tsugaru remain ...
The heike-biwa instrument itself is a combination of gaku-and mōsō-biwa predecessors. [42] Indeed, the relative average distance between the frets is equal to that of heike-biwa, as are the relative height of the frets. [42] From Shobutsu, two schools emerged, the Yasaka-ryū school, led by Jōgen, and Ichikata-ryū school, headed by Jōichi ...
By the Kamakura period (1185–1333), the heike-biwa had emerged as a more popular instrument, a cross between both the gaku-biwa and mōsō-biwa, retaining the rounded shape of the gaku-biwa and played with a large plectrum like the mōsō-biwa. The heike-biwa, smaller than the mōsō-biwa, was used for similar purposes.