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[a] In Catholic tradition, older editions of the Roman Martyrology list a martyr named Photina of Samaria on March 20, whom commentators have identified with the woman at the well. [18] [19] In Eastern Christian tradition, the woman's name at the time of her meeting Jesus is unknown, though she was later baptized "Photine".
2 Kings 7 is the seventh chapter of the second part of the Books of Kings in the Hebrew Bible or the Second Book of Kings in the Old Testament of the Christian Bible. [1] [2] The book is a compilation of various annals recording the acts of the kings of Israel and Judah by a Deuteronomic compiler in the seventh century BCE, with a supplement added in the sixth century BCE. [3]
The story of the Samaritan woman is told in the Gospel of John. A woman leans eagerly forward in conversation with Jesus, in contrast to the typical portrayal of the time which showed the woman sitting passively listening to a monologue. [1] It is one of the few works by Gentileschi with a full landscape. [2]
John 4 is the fourth chapter of the Gospel of John in the New Testament of the Christian Bible.The eternality of Jesus. The major part of this chapter (verses 1-42) recalls Jesus' conversation with the Samaritan woman at the well in Sychar.
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2 Kings 17 is the seventeenth chapter of the second part of the Books of Kings in the Hebrew Bible or the Second Book of Kings in the Old Testament of the Christian Bible. [1] [2] The book is a compilation of various annals recording the acts of the kings of Israel and Judah by a Deuteronomic compiler in the seventh century BCE, with a supplement added in the sixth century BCE. [3]
Acts 8 is the eighth chapter of the Acts of the Apostles in the New Testament of the Christian Bible.It records the burial of Stephen, the beginnings of Christian persecution, the spread of the Gospel of Jesus Christ to the people of Samaria and the conversion of an Ethiopian official.
Christ and the Samaritan Woman (1593-1594) Christ and the Samaritan Woman or The Woman at the Well is a 1593-1594 oil on canvas painting by Annibale Carracci, painted as part of the same scheme as the Palazzo Sampieri frescoes. Several years later he also produced a much smaller autograph copy with variations, now in the Museum of Fine Arts ...