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Pam Ayres was born in Stanford in the Vale, Berkshire (now administered as part of Oxfordshire), the youngest of six children (having four elder brothers and a sister) of Stanley and Phyllis Ayres. Her father worked for 44 years as a linesman for the Southern Electricity Board, having been a sergeant in the Grenadier Guards during the Second ...
"The Flit Gun" is a poem by Pam Ayres, first published in Some More Of Me Poetry (1976). In the second prologue of Stephen King's 1979 science fiction thriller novel The Dead Zone, Gregory Stillson uses a Flit gun to spray ammonia in the face of a farm dog, establishing Stillson as the book's villain.
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Adds a block quotation. Template parameters [Edit template data] Parameter Description Type Status text text 1 quote The text to quote Content required char char The character being quoted Example Alice Content suggested sign sign 2 cite author The person being quoted Example Lewis Carroll Content suggested title title 3 The title of the poem being quoted Example Jabberwocky Content suggested ...
Poetry assessment drive: Please visit Category:Unknown-importance Poetry articles and assess as either High, Mid, or Low importance. Ongoing activity: Add the WP:Poetry template to the talk pages of articles related to poets, poems, and poetry collections to affiliate them with this project.
Edwin Brock (19 October 1927 – 7 September 1997) was a British poet.Brock published ten volumes of poetry from 1959 through his death in 1997. Two of Brock's poems In particular -- Five Ways to Kill a Man (1972) and Song of the Battery Hen (1977) -- have been heavily anthologized.
Potting On is a radio situation comedy broadcast on BBC Radio 4.It stars poet and author Pam Ayres and veteran actor Geoffrey Whitehead as an aging couple running a garden centre with the help of various oddball employees.
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]