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Pam Ayres was born in Stanford in the Vale, Berkshire (now administered as part of Oxfordshire), the youngest of six children (having four elder brothers and a sister) of Stanley and Phyllis Ayres. Her father worked for 44 years as a linesman for the Southern Electricity Board, having been a sergeant in the Grenadier Guards during the Second ...
"The Flit Gun" is a poem by Pam Ayres, first published in Some More Of Me Poetry (1976). In the second prologue of Stephen King's 1979 science fiction thriller novel The Dead Zone, Gregory Stillson uses a Flit gun to spray ammonia in the face of a farm dog, establishing Stillson as the book's villain.
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
Pam (Pam Ayres) and Gordon (Geoffrey Whitehead) are a long-married couple who run a small garden centre. Gordon is a creature of habit while Pam longs to break out of her humdrum routine. The humour revolves around her efforts to persuade him to try something new, or at least stop holding her back.
Edwin Brock (19 October 1927 – 7 September 1997) was a British poet.Brock published ten volumes of poetry from 1959 through his death in 1997. Two of Brock's poems In particular -- Five Ways to Kill a Man (1972) and Song of the Battery Hen (1977) -- have been heavily anthologized.
The Nun's Priest, from the Ellesmere Chaucer (15th century) Chanticleer and the Fox in a mediaeval manuscript miniature "The Nun's Priest's Tale" (Middle English: The Nonnes Preestes Tale of the Cok and Hen, Chauntecleer and Pertelote [1]) is one of The Canterbury Tales by the Middle English poet Geoffrey Chaucer.
Lyric Essay is a literary hybrid that combines elements of poetry, essay, and memoir. [1] The lyric essay is a relatively new form of creative nonfiction. John D’Agata and Deborah Tall published a definition of the lyric essay in the Seneca Review in 1997: "The lyric essay takes from the prose poem in its density and shapeliness, its distillation of ideas and musicality of language."
The poems contemplate martial, masculine culture, fate, and old age from a critical standpoint. As with the other so-called 'saga englynion’ (pre-eminently Canu Urien and Canu Heledd), there is considerable uncertainty and debate as to how the poems of Canu Llywarch might originally have been performed. It is usually assumed that they must ...