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for voice and piano: Japanese folk song Vocal: 1983: 島へ: To the Island (Shima e) for voice and piano: words by Mitsuru Izawa: Vocal: 1985: 明日ハ晴レカナ、曇リカナ: Will Tomorrow, I Wonder, Be Cloudy or Clear? (Ashita wa hare kana, kumori kana) for voice and piano: words by the composer Vocal: 1985: ぽつねん: All Alone ...
The song is sung in a 12 note scale. [3] The song begins with a 1:50 introduction in three steps: first Kokia sings Japanese lyrics against background sound effects and the piano. This leads into a section with added percussion where Kokia counts numbers in English.
The numbered musical notation (simplified Chinese: 简谱; traditional Chinese: 簡譜; pinyin: jiǎnpǔ; lit. 'simplified notation', not to be confused with the integer notation) is a cipher notation system used in mainland China, Taiwan, Hong Kong, and to some extent in Japan, Indonesia (in a slightly different format called "not angka"), Malaysia, Australia, Ireland, the United Kingdom ...
Japanese pianist and composer Rentarō Taki composed the music as a music lesson song without instrumental accompaniment in 1901. The song was included in the songbook for Junior High School students. The music of the song was inspired by the ruins of Oka Castle whereas the lyrics, written by Bansui Doi , were inspired by the ruins of Aoba ...
The "Sakura Sakura" melody has been popular since the Meiji period, and the lyrics in their present form were attached then. [citation needed] The tune uses a pentatonic scale known as the in scale (miyako-bushi pentatonic scale) and is played in quadruple meter and has three parts (ABBAC) which stretch over 14 bars (2 + 4 + 4 + 2 + 2).
Yamada's music during the 1920s and 1930s successfully avoided the pitfall of many contemporaneous Japanese composers, who created awkward hybrids in their attempts to bridge the gap between Western and Japanese music. [6] [10] His music is closer to Japanese melodic ideas, and eschews the formal structural relationships of Western harmony.
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A variety of musical scales are used in traditional Japanese music. While the Chinese Shí-èr-lǜ has influenced Japanese music since the Heian period, in practice Japanese traditional music is often based on pentatonic (five tone) or heptatonic (seven tone) scales. [1] In some instances, harmonic minor is used, while the melodic minor is ...
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