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Jivaro (also known as Lost Treasure of the Amazon) is a 1954 American 3-D adventure film directed by Edward Ludwig and starring Fernando Lamas, Rhonda Fleming and Brian Keith. Publicity material for the film translates Jivaro as "headhunters of the Amazon".
Jivaro languages, a language family of northern Peru and eastern Ecuador; Jivaro, a 1954 American 3-D film; Jíbaro, English title Wild Dogs, a 1985 Cuban film; Lake Jivaro, a reservoir in Shawnee County, Kansas, United States; Jibaro, the final episode of season three of Love, Death + Robots which won several awards.
The Shuar, also known as Jivaro, are an indigenous ethnic group that inhabits the Ecuadorian and Peruvian Amazonia. They are famous for their hunting skills and their tradition of head shrinking, known as Tzantsa. The Shuar language belongs to the Jivaroan linguistic family and is spoken by over 50,000 people in the region.
The shaman goes about relieving the patient of any harmful spirits that may be attacking his or her body. The Jivaro also believe in an act of what may be considered telling the future or telling time. Bennett makes another note of the Jivaro and their ayahuasca ceremonies, where a Jivaro will hire a shaman to tell of far away friends and family.
The Emerald Forest is a 1985 British adventure drama film set in the Brazilian rainforest, directed by John Boorman, written by Rospo Pallenberg, and starring Powers Boothe, Meg Foster, and Charley Boorman with supporting roles by Rui Polanah, Tetchie Agbayani, Dira Paes, Estee Chandler, and Eduardo Conde.
Shuar (which literally means "people", also known by such (now derogatory) terms as Chiwaro, Jibaro, Jivaro, or Xivaro) is an indigenous language spoken by the Shuar people of Morona Santiago Province and Pastaza Province in the Ecuadorian Amazon basin.
The extinct Palta language was classified as Chicham by Jacinto Jijón y Caamaño about 1940 and was followed by Čestmír Loukotka.However, only a few words are known, and Kaufman (1994) states that there is "little resemblance".
3D films are motion pictures made to give an illusion of three-dimensional solidity, usually with the help of special glasses worn by viewers. They have existed in some form since 1915 [citation needed], but had been largely relegated to a niche in the motion picture industry because of the costly hardware and processes required to produce and display a 3D film, and the lack of a standardized ...