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The prayers of the saints in Heaven and the good deeds, works of mercy, prayers, and indulgences of the living have a twofold effect: they help the souls in purgatory atone for their sins and they make the souls' own prayers for the living effective, [38] since the merits of the saints in Heaven, on Earth, and in Purgatory are part of the ...
Dante's Hell Animated is a 2013 American animated short film produced and directed by Boris Acosta. [ 1 ] The story is based on the first part of Dante Alighieri 's Divine Comedy – Inferno .
Dante is depicted (bottom, centre) in Andrea di Bonaiuto's 1365 fresco Church Militant and Triumphant in the Santa Maria Novella church, Florence. In 1373, a little more than half a century after Dante's death, the Florentine authorities softened their attitude to him and decided to establish a department for the study of the Divine Comedy.
Roman Catholics who believe in purgatory interpret New Testament passages such as 2 Timothy 1:18, Matthew 12:32, Luke 23:43, 1 Corinthians 3:11–3:15 and Hebrews 12:29 as supporting prayer for souls who are believed to be alive in an active, interim state after death, undergoing purifying flames (which could be interpreted as analogy or ...
Paradiso (Italian: [paraˈdiːzo]; Italian for "Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio.It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology.
Purgatorio (Italian: [purɡaˈtɔːrjo]; Italian for "Purgatory") is the second part of Dante's Divine Comedy, following the Inferno and preceding the Paradiso.The poem was written in the early 14th century.
If heaven is a state of supernatural happiness and union with God, and Hell is understood as a state of torture and separation from God then, in this view, the Limbo of Infants, although technically part of hell (the outermost part, limbo meaning 'outer edge' or 'hem') is seen as a sort of intermediate state.
Engraving by Baldini after Botticelli, from the 1481 book. The drawings in the manuscript were not the first to be created by Botticelli for the Divine Comedy.He also illustrated another Commedia, this time a printed edition with engravings as illustrations, that was published by Nicholo di Lorenzo della Magna in Florence in 1481, and is mentioned by Vasari.