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13th; 14th; 15th; 16th; 17th; 18th; Subcategories. ... Pages in category "13th-century paintings" The following 12 pages are in this category, out of 12 total.
The music of the troubadors, who brought their lyrical, secular song into northern Italy in the early 13th century after they fled their home regions—principally Provence—during the Albigensian Crusade, was a strong influence, and perhaps a decisive one; many of the Trecento musical forms are closely related to those of the troubadours of ...
Ma Lin (simplified Chinese: 马麟; traditional Chinese: 馬麟; pinyin: Mǎ Lín; Wade–Giles: Ma Lin) (c. 1180 – after 1256 [1]) was a Chinese court painter during the Song dynasty active during the early to mid 13th century. [2] He was the son of the famous Chinese painter Ma Yuan, [3] from whom he learned the art of painting. [4] One of ...
Six Persimmons (Chinese: 六柿圖; pinyin: liùshì tú) is a 13th-century Chinese painting by the monk Muqi Fachang. It was painted during the Song dynasty. Muqi was one of the two great exponents of the spontaneous mode of Chinese painting (the other being Liang Kai). It features six persimmons on an undefined background. It is painted in ...
This is a list of artists active within the Romanesque period of Western Art. ... Radovan (fl. 13th century) Tove (fl. around 1191) Vgo (fl. 12th century)
Muqi, Detail of dusk over fisher's village, from the handscroll "Eight Views of Xiao and Xiang", circa 1250, Collected in Nezu Art MuseumMuqi or Muxi (Chinese: 牧谿; Japanese: Mokkei; 1210?–1269?), also known as Fachang (Chinese: 法常), was a Chinese Chan Buddhist monk and painter who lived in the 13th century, around the end of the Southern Song dynasty (1127–1279).
Simone Martini, Annunciation with St. Margaret and St. Ansanus, 1333. The Sienese school of painting flourished in Siena, Italy, between the 13th and 15th centuries.Its most important artists include Duccio, whose work shows Byzantine influence, his pupil Simone Martini, the brothers Pietro and Ambrogio Lorenzetti and Domenico and Taddeo di Bartolo, Sassetta, and Matteo di Giovanni.
The Mocking of Christ measures 25.8 cm × 20.3 cm × 1.2 cm (10.16 in × 7.99 in × 0.47 in) and depicts the mocking of Jesus prior to his crucifixion. [2] The work is painted with egg tempera on a gold leaf background, on a thinned and slightly bowed poplar panel prepared with layers of gesso ground in which a canvas is embedded.