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Harriet Powers (October 29, 1837 – January 1, 1910) [1] was an American folk artist and quilter born into slavery in rural northeast Georgia. Powers used traditional appliqué techniques to make quilts that expressed local legends, Bible stories, and astronomical events.
Harriet Powers, Bible quilt, Mixed Media. 1898. The earliest evidence of African-American art in the United States is the work of skilled craftsmen slaves from New England . Two categories of slave craft items survive from colonial America: articles that were created for personal use by slaves and articles created for public use.
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The International Quilt Museum at the University of Nebraska–Lincoln in Lincoln, Nebraska, is the home of the largest known public collection of quilts in the world. [1] Formerly known as the International Quilt Study Center and Museum, the current facility opened in 2008.
Harriet Powers' 1898 bible quilt. By the time that early African-American quilting became a tradition in and of itself, it was already a combination of textile traditions from four civilizations of Central and West Africa: the Mande-speaking peoples, the Yoruba and Fon peoples, the Ejagham peoples, and the Kongo peoples.
The National Quilt Museum, located in Paducah, Kentucky, is an art museum that exhibits fiber art and quilting from around the world. The museum is recognized by USA Today as one of the world's top quilt displays. [1] [2] This textile museum supports local and expert quilters by providing workshops and other educational activities. [3]
The exhibit Selections of Nineteenth-Century Afro-American Art included 92 pieces by various artists including Joshua Johnson, Jules Lion, Henry O. Tanner, and Harriet Powers. [ 9 ] [ 10 ] Perry amassed a collection of 3,000 African American folk artifacts, including 300 Black Santas, angles and other ethnic holiday items. [ 11 ]
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