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"Hungry Eyes," whose somber tone underscored the hope-filled despair of its main subject, Mama, was a track on Haggard's 1969 album A Portrait of Merle Haggard. Music critic Mark Deming noted that the song was among three of Haggard's finest songs to appear on the album; "Silver Wings" and "Workin' Man's Blues" were the other two.
"A Place to Fall Apart" is a song co-written and recorded by American country music artist Merle Haggard as a duet with Janie Fricke and backed by The Strangers. It was released in October 1984 as the second single from the album It's All in the Game. The song was the first single where Haggard and Fricke worked together.
The other two chart toppers, "A Place to Fall Apart" (co-written with Willie Nelson and featuring Janie Fricke on background vocals) and the love song "Natural High," have a softer vocal approach more indicative of the album's overall sound. "Little Hotel Room" and "I Never Go Home Anymore" contain Haggard's oft-used themes of loss, loneliness ...
Like millions, Garth Brooks grew up on the music of Merle Haggard.Below, in his own words, he shares some of his memories of the legend, who died April 6. The first song of Haggard's I remember ...
Merle Ronald Haggard (April 6, 1937 – April 6, 2016) was an American country music singer, songwriter, guitarist, and fiddler.. Haggard was born in Oildale, California, toward the end of the Great Depression.
A Working Man Can't Get Nowhere Today is a studio album by American country music singer Merle Haggard and the Strangers, released in 1977.Even though Haggard had moved to the MCA label, Capitol created this release from tracks previously recorded in 1975 and 1976.
The album contains two number-one country hits, "Hungry Eyes" (sometimes referred to as "Mama's Hungry Eyes") and "Workin' Man Blues".According to The Smithsonian Collection of Classic Country Music, Haggard wrote "Hungry Eyes" as a tribute to his mother and the sacrifices she made for her family as a single mother (Haggard's father having died when he was 9), but it also stands as a tribute ...
The album is best remembered for the number-one hit, "Carolyn", written by Haggard's friend and mentor Tommy Collins. Haggard had his doubts that the pop-tinged ballad was right for him, as Collins explains in the liner notes to the 1994 Haggard retrospective Down Every Road, "He said, 'It's just not for me. It's not country enough or something.'