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the way of the sword) is a modern Korean martial art. It is derived from kendo, the Japanese martial art. [1] Its name is also spelled Kǒmdo, Keomdo, Gumdo and Geomdo. Kumdo, commonly translated as ''the way of the sword'', encompasses a variety of sword-based martial arts rooted in both Korean and Japanese traditions.
Japanese sword arts developed into the art of man-to-man duelling during the peaceful Edo period and are characterized by a lot of attention to detail under the influence of Zen Buddhism. Traditional Korean arts never underwent this change and were purely taught to soldiers as a way to fight on the battlefield, although this does not mean that ...
Kendo practice at an agricultural school c.1920. The person at right in the foreground is in chūdan-no-kamae, the person at left is in jōdan-no-kamae.. Chūdan-no-kamae (中段の構え:ちゅうだんのかまえ), sometimes shortened to Chūdan-gamae or simply Chūdan, is a basic weapon stance in many Japanese martial arts.
Iaidō (居合道), abbreviated iai (居合), [3] is a Japanese martial art that emphasizes being aware and capable of quickly drawing the sword and responding to sudden attacks. [ 4 ] Iaido consists of four main components: the smooth, controlled movements of drawing the sword from its scabbard (or saya ), striking or cutting an opponent ...
Waki-gamae (脇構), sometimes shortened to waki, is one of the five stances in kendo: jōdan, chūdan, gedan, hassō and waki, as well as other related and older martial arts involving Japanese sword. Waki-gamae is a stance involving the swordsman hiding the length of one's own blade behind their body, only exposing the pommel to the opponent ...
Production of Korean swords starts in the 4th century with the Hwandudaedo or "ring-pommel swords". No direct accounts of swordsmanship during the Three Kingdoms of Korea are extant, but there are 12th-century historiographical works (Samguk Sagi, "History of the Three Kingdoms" by Kim Bu-sik, 1145; Samguk Yusa, "Memorabilia of the Three Kingdoms") which attest that systematic training of ...
Korean Army under Gwon Yul attacking the Japanese Castle at Ulsan, commanded by Katō Kiyomasa. Note that the entire formation is archers, as painted by the Japanese. In 1895, Emperor Gojong invited 40 sword masters from Japan to begin teaching the art of the sword to his Korean Army cadets and police officers. This was decided upon due to the ...
The techniques required the use of both a sharp sword and a waist sword. The Chinese used straight-bladed swords (jikdo) with a single edge for slashing and a double-edged sword (geom) for stabbing. The techniques, with 14 basic stances, were first published in the Muyesinbo, a martial arts manual from the Joseon Dynasty.