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Later, he and his daughter May made designs for panels for "embroider yourself" kits for cushion covers, fireplace screens, doorway curtains, bedcovers and other household objects. In 1885, Morris turned production of embroidery entirely over to his daughter. [3]
A six-panel byōbu from the 17th century Pair of screens with a leopard, tiger and dragon by Kanō Sanraku, 17th century, each 1.78 m × 3.56 m (5.8 ft × 11.7 ft), displayed flat Left panel of Irises (燕子花図, kakitsubata-zu) by Ogata Kōrin, 1702 Left panel of the Shōrin-zu byōbu (松林図 屏風, Pine Trees screen) by Hasegawa Tōhaku, c. 1595 Byōbu depicting Osaka from the early ...
Hasegawa Tōhaku (長谷川 等伯, 1539 – March 19, 1610) was a Japanese painter and founder of the Hasegawa school. [2]He is considered one of the great painters of the Azuchi–Momoyama period (1573-1603), and he is best known for his byōbu folding screens, such as Pine Trees and Pine Tree and Flowering Plants (both registered National Treasures), or the paintings in walls and sliding ...
The work is a development of suibokuga (水墨画, ink-wash paintings) made with Chinese ink (墨, sumi), using dark and light shades on a silk or paper medium.It combines naturalistic Chinese ideas of ink painting by Muqi Fachang (Chinese: 牧溪法常; pinyin: Mu-ch'i Fa-ch'ang) with themes from the Japanese yamato-e (大和絵) landscape tradition, influenced by the "splashed ink" (溌墨 ...
The three-panel fire screen, which covers the fireplace almost completely, has two side panels angled away from the central panel. It is an effective way of providing decoration in a room. The horse screen, or cheval screen (cheval is the French word for horse) was in common use from the 18th century. It is a wide screen having two feet on each ...
A polyptych (/ ˈ p ɒ l ɪ p t ɪ k / POL-ip-tik; Greek: poly-"many" and ptychē "fold") is a work of art (usually a panel painting) which is divided into sections, or panels. Some definitions restrict "polyptych" to works with more than three sections: [ 1 ] a diptych is a two-part work of art; a triptych is a three-part work; a tetraptych or ...
Originally on fixed doors at Hōryū-ji, later during the Edo period on freestanding screens and in recent times remounted on panels 1069 Heian period , 1069 other Ten panels (five pairs), color on figured silk, 189.2–190.5 cm x 137.2–148.2 cm (74.5–75 in x 54–58.3 in)
The screens were housed for over 200 years by the Nishi Honganji Buddhist temple in Kyoto. They are now held by the Nezu Museum, and they are a National Treasure of Japan. A similar pair of screens made by Ogata Kōrin about 5 [3] to 12 [4] years later depicting irises is held by the Metropolitan Museum of Art in New York City.
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