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Male-gaze theory also proposes that the male gaze is a psychological "safety valve for homoerotic tensions" among heterosexual men; in genre cinema, the psychological projection of homosexual attraction is sublimated onto the women characters of the story, to distract the spectator of the film story from noticing that homoeroticism is innate to ...
[[Category:Biology templates]] to the <includeonly> section at the bottom of that page. Otherwise, add <noinclude>[[Category:Biology templates]]</noinclude> to the end of the template code, making sure it starts on the same line as the code's last character.
The Vector templates below can be used to derive images with, for example, Inkscape. This is the method with the greatest potential. This is the method with the greatest potential. See Human body diagrams/Inkscape tutorial for a basic description in how to do this.
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Communication is important for animals throughout the animal kingdom. For example, since female praying mantids are sexually cannibalistic, the male typically uses a cryptic form of display. [2] This is a series of creeping movements executed by the male as it approaches the female, with freezing whenever the female looks towards the male.
The pelvis is, in general, different between the human female and male skeleton. [12] [13] Although variations exist and there may be a degree of overlap between typically male or female traits, [12] [13] the pelvis is the most dimorphic bone of the human skeleton and is therefore likely to be accurate when using it to ascertain a person's sex ...
The female gaze looks at three viewpoints: the individual who is filming, the characters within the film, and the spectator. These three viewpoints also are part of Mulvey's male gaze, but for the female gaze the focus is on women instead of men. Viewpoints expanded alongside diversity in film genres.
The peacock tail in flight, the classic example of an ornament assumed to be a Fisherian runaway. Fisherian runaway or runaway selection is a sexual selection mechanism proposed by the mathematical biologist Ronald Fisher in the early 20th century, to account for the evolution of ostentatious male ornamentation by persistent, directional female choice.