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Around the Well is a compilation of out-of-print and previously unreleased tracks by the folk rock artist Iron & Wine, released on May 19, 2009. [9] Iron & Wine toured in May 2009 in support of this release.
Name of song, writer(s), original release, and year of release Song Writer(s) Original release Year Ref. "45 Revolutions Per Minute" [a] John Fogerty: Pendulum (40th Anniversary Edition) 2008 [1] "Bad Moon Rising" John Fogerty Green River: 1969 [2] "Before You Accuse Me" Ellas McDaniel † Cosmo's Factory: 1970 [3] "Bootleg" John Fogerty Bayou ...
Playlist: The Very Best of Sir Mix-a-Lot is a compilation album of songs from the Seattle based hip-hop artist Sir Mix-a-Lot, released as part of the Playlist series issued by Sony BMG in 2009. AllMusic critic Stephen Thomas Erlewine praised the album as a "solid overview" of Sir Mix-a-Lot's songs, and he added that he thought it "serves as ...
Among the tracks covered on the album is the Albert King song "The Hunter", which Rodgers had previously recorded with Free on their debut album Tons of Sobs. As well as the standard one-disc edition, a limited edition version was also released featuring a bonus disc of re-recordings of Free and Bad Company hits.
The album reached No. 2 on the Billboard 200 chart. S.R.O., an acronym for standing-room only, [4] is a reference to the group's frequently sold-out concerts. [5] "Bean Bag" became famous in the UK as the theme song of the popular long-running game show It's a Knockout, and as a prize cue for the game show The Guinness Game.
Splendora was an American all-female alternative rock band from New York City.Formed in 1993 by Janet Wygal (lead vocals, guitar), Tricia Wygal (lead vocals, bass), Delissa Santos (drums), Cindy Brolsma (cello), and Jennifer Richardson (violin), the band released one studio album, In the Grass (1995), before disbanding in 2002.
Pitchfork Media's Marc Hogan gave the EP an 8 and stated that "Washed Out, the solo project of Georgia (via South Carolina) multi-instrumentalist Ernest Greene, fits in almost too well with the balmy lo-fi synth atmospherics of peers like Neon Indian, Toro Y Moi, Small Black, the higher-fi jj, or the darker, heavier SALEM, as well as the more guitar-based Real Estate, Best Coast, and Pearl ...
Writing for The Village Voice, music journalist Robert Christgau gave the album a B, and described Entwistle as "an important source of the fucked-up Calvinism that has always added that peculiar note of constraint to the Who", while adding that "These paeans of resentment and frustration climax thematically in songs called "Heaven and Hell ...