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Tracks is a novel by Louise Erdrich, published in 1988.It is the third in a tetralogy of novels beginning with Love Medicine that explores the interrelated lives of four Anishinaabe families living on an Indian reservation near the fictional town of Argus, North Dakota.
The Crown of Columbus [coauthored with Michael Dorris] (1991); The Antelope Wife (1998), revised (2009) and published as Antelope Woman (2016); The Master Butchers Singing Club (2003) ISBN 978-0-06-083705-1, OCLC 1016695053
Karen Louise Erdrich (/ ˈ ɜːr d r ɪ k / ER-drik; [2] born June 7, 1954) [3] is a Native American author of novels, poetry, and children's books featuring Native American characters and settings. She is an enrolled citizen of the Turtle Mountain Band of Chippewa Indians of North Dakota , a federally recognized Ojibwe people .
Four Souls (2004) is an entry in the Love Medicine series by Chippewa author Louise Erdrich.It was written after The Master Butcher’s Singing Club (2003) and before The Painted Drum (2005); however, the events of Four Souls take place after Tracks (1988). [1]
Pages in category "Novels by Louise Erdrich" The following 20 pages are in this category, out of 20 total. ... Tracks (novel) This page was last ...
Birchbark Books, also known by its full name, Birchbark Books & Native Arts, is an independent bookstore in Minneapolis, Minnesota in the Kenwood neighborhood. Selling both books and works of art, it was founded by Pulitzer Prize–winning Native American novelist Louise Erdrich (Turtle Mountain Band of Chippewa Indians [2]) in 2001.
After returning to the United States in 1981, he married Louise Erdrich, [4] a writer of Anishinaabe, German-American, and Métis descent. They had met 10 years earlier while he was teaching at Dartmouth and she was a student. [6] During his sabbatical in New Zealand, Dorris and Erdrich had begun corresponding regularly by mail. [5]
Erdrich reportedly developed rules for when Agnes would react as her female self and when she would react as Father Damien, [9] and this shifting happens continually throughout the work. Multiple times throughout the novel, when the question of gender identity arises, Agnes/Damien simply says that s/he is a priest, eliminating the binary ...