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While the same woods are generally used, each instrument is to some degree individual in sound from its birth, and gains more individuality as it is played. In the 1960s, Lyon & Healy introduced a smaller lever harp, the Troubadour, a 36-string harp marketed to beginners with rent-to-buy options and group classes. This harp stands 65.5 inches ...
All harps have a neck, resonator, and strings, frame harps or triangular harps have a pillar at their long end to support the strings, while open harps, such as arch harps and bow harps, do not. Modern harps also vary in techniques used to extend the range and chromaticism of the strings (e.g., adding sharps and flats).
Aeolian harp made by Robert Bloomfield. An Aeolian harp (also wind harp) is a musical instrument that is played by the wind. Named after Aeolus, the ancient Greek god of the wind, the traditional Aeolian harp is essentially a wooden box including a sounding board, with strings stretched lengthwise across two bridges. It is often placed in a ...
The pedal harp (also known as the concert harp) is a large and technologically modern harp, designed primarily for use in art music. It may be played solo, as part of a chamber ensemble, or in an orchestra. It typically has 47 strings with seven strings per octave, giving a range of six and a half octaves. [1]
The cross-strung harp or chromatic double harp is a multi-course harp that has two rows of strings which intersect without touching. While accidentals are played on the pedal harp via the pedals and on the lever harp with levers, the cross-strung harp features two rows so that each of the twelve semitones of the chromatic scale has its own string.
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The Bohemian Harp (Czech: harfa), also referred to as the Hakenharfe, is a Central European lever harp, similar to the Celtic harp, with a straight, tenoned neck. It was played foremostly by travelling musicians going through Europe in the 19th century, occasionally in bands .
After the medieval harp, the Gothic harp became the popular style of harp in the Renaissance. These harps grew to be larger with more strings. Brays were added for resonance on lower bass strings. Throughout the seventeenth and eighteenth centuries, harp makers in Europe added levers and other mechanisms to increase chromatic capability of the ...
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