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Pablo Picasso, 1910, Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 × 73.6 cm, Museum of Modern Art, New York. Cubism is an early-20th-century avant-garde art movement begun in Paris that revolutionized painting and the visual arts, and influenced artistic innovations in music, ballet, literature, and architecture.
In 1949, Paul Rosenberg sold his painting to the Museum of Modern Art, and it was acquired through the Mrs. Simon Guggenheim Fund. In 2023, an exhibition at the Museum of Modern Art reunited the two versions with two versions of Three Women at the Spring which were created at the same time. [4]
Cubist sculpture developed in parallel with Cubist painting, beginning in Paris around 1909 with its proto-Cubist phase, and evolving through the early 1920s. Just as Cubist painting, Cubist sculpture is rooted in Paul Cézanne 's reduction of painted objects into component planes and geometric solids; cubes, spheres, cylinders, and cones.
Georges Braque was born on 13 May 1882 in Argenteuil, Val-d'Oise. [2] He grew up in Le Havre and trained to be a house painter and decorator like his father and grandfather. . However, he also studied artistic painting during evenings at the École supérieure d'art et design Le Havre-Rouen, previously known as the École supérieure des Arts in Le Havre, from about 1897 to 1
Jean Dominique Antony Metzinger (French: [mɛtsɛ̃ʒe]; 24 June 1883 – 3 November 1956) was a major 20th-century French painter, theorist, writer, critic and poet, who along with Albert Gleizes wrote the first theoretical work on Cubism.
Thornton Willis (born May 25, 1936) is an American abstract painter. He has contributed to the New York School of painting since the late 1960s. Viewed as a member of the Third Generation of American Abstract Expressionists, his work is associated with Abstract Expressionism, Lyrical Abstraction, Process Art, Postminimalism, Bio-morphic Cubism (a term he coined) and Color Field painting.
Cubism was an avant-garde art movement that revolutionized European painting and sculpture in the early 20th century. The essence of cubism is that instead of viewing subjects from a single, fixed angle, the artist breaks them up into a multiplicity of facets, so that several different aspects/faces of the subject can be seen simultaneously.
Jacques Lipchitz (22 August [O.S. 10 August] 1891 [1] – 26 May 1973 [2]) was a Lithuanian-born French-American Cubist sculptor. Lipchitz retained highly figurative and legible components in his work leading up to 1915–16, after which naturalist and descriptive elements were muted, dominated by a synthetic style of Crystal Cubism.