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A simple Italian Virgin and Child by Carlo Crivelli, c. 1470. Virgin and Child or Madonna and Child or Mary and Child usually refers to artistic depictions of Mary and Child Jesus together, as part of both Catholic and Orthodox church traditions, and very notably in the Marian art in the Catholic Church.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
"The Bells of St. Mary's" is a 1917 popular song. The music was written by A. Emmett Adams, the lyrics [1] by Douglas Furber, following a visit to St. Mary's Church, Southampton, England. [2] It was published by the London company Ascherberg, Hopwood & Crew. The song was revived in 1945, in the film of the same name, by Bing Crosby and Ingrid ...
Eventually these settings became a separate form of Passion music. Perhaps the most outstanding work in this genre in the Lutheran tradition is the work by Heinrich Schütz. Joseph Haydn composed string quartets titled Die sieben letzten Worte unseres Erlösers am Kreuze (The seven last words of our Redeemer on the cross).
It measures 242 × 321 cm. [1] [2] [3] The canvas depicts Mary Magdalene and Jesus Christ in a life-size two-figure composition. The painting depicts the moment in the Gospel story when Mary Magdalene recognises the risen Christ. However, he stops her impulse by telling her, "Do not cling to me, for I have not yet ascended to the Father". [4] [5]
"Reverence" is a song by Scottish alternative rock group the Jesus and Mary Chain, released as the first single from the group's fourth studio album, Honey's Dead (1992). It was released by Blanco y Negro Records on 3 February 1992, reaching number 10 on the UK Single Chart and number 21 in Ireland.
The song was first recorded by American country singer Marilyn Sellars in 1974. [2] This version became a US top 40 hit and top 20 hit on the Country charts. Following this, it won the 1975 Gospel Music Association (GMA) Dove Awards for best song.
The melody is credited to Dorsey, drawn extensively from the 1844 hymn tune, "Maitland". [1] " Maitland" is often attributed to American composer George N. Allen (1812–1877), but the earliest known source (Plymouth Collection, 1855 [2]) shows that Allen was the author/adapter of the text "Must Jesus bear the cross alone," not the composer of the tune, and the tune itself was printed without ...
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