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"Skidamarink" or "Skinnamarink" [1] is a popular child's sing-along song from North America. [2] Originally titled "Skid-dy-mer-rink-adink-aboomp" [3] or "Skiddy-Mer-Rink-A-Doo", [4] the initial version of the song was written by Felix F. Feist (lyrics) and Al Piantadosi (music) for the 1910 Charles Dillingham Broadway production: The Echo. [4]
Skinamarink is a 2022 Canadian experimental horror film, written and directed by Kyle Edward Ball in his feature directorial debut. The film follows a young brother and sister who wake up during the night to discover that they cannot find their father and that the windows, doors, and other objects in their house are disappearing.
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
Skinamarink scares, when they come, are extremely effective—but most of the movie is enveloped in this weird, evil vibe, thanks to long, off-kilter shots of empty hallways, doors slightly open ...
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Heinrich Schenker (19 June 1868 – 14 January 1935) was an Austrian music theorist whose writings have had a profound influence on subsequent musical analysis. [1] His approach, now termed Schenkerian analysis, was most fully explained in a three-volume series, Neue musikalische Theorien und Phantasien (New Musical Theories and Phantasies), which included Harmony (1906), Counterpoint (1910 ...
This is a glossary of Schenkerian analysis, a method of musical analysis of tonal music based on the theories of Heinrich Schenker (1868–1935). The method is discussed in the concerned article and no attempt is made here to summarize it. Similarly, the entries below whenever possible link to other articles where the concepts are described ...
In the words of William Hubbard's Musical Dictionary (1908), an anomalous chord is a "chord containing an interval" that "has been made very sharp or flat in tempering the scale for instruments of fixed pitches". [2] The development of well temperament allowed fixed-pitch instruments to play reasonably well in all of the keys.