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The Vitruvian Man (Italian: L'uomo vitruviano; [ˈlwɔːmo vitruˈvjaːno]) is a drawing by the Italian Renaissance artist and scientist Leonardo da Vinci, dated to c. 1490. Inspired by the writings of the ancient Roman architect Vitruvius , the drawing depicts a nude man in two superimposed positions with his arms and legs apart and inscribed ...
The "bowl" haircut with the back of the neck shaved was popular in mid-15th century. Hose or chausses worn with braies and tied to a belt, 1440. Back view of a knee-length Italian cioppa or houppelande of figured silk. One sleeve is turned back to the shoulder to reveal the lining and the doublet sleeve beneath.
t. e. The Italian Renaissance (Italian: Rinascimento [rinaʃʃiˈmento]) was a period in Italian history between the 14th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Western Europe and marked the transition from the Middle Ages to modernity.
The history of Italian fashion is a chronological record of the events and people that impacted and evolved Italian fashion into what it is today. From the Middle Ages, Italian fashion has been popular internationally, with cities in Italy producing textiles like velvet, silk, and wool. During the Middle Ages and Renaissance, Italian fashion ...
Doublet (clothing) The unidentified tailor in Giovanni Battista Moroni 's famous portrait of c. 1570 is in doublet and lined and stuffed ("bombasted") hose. A doublet (/ˈdʌblɪt/; [1] derived from the Ital. giubbetta[2]) is a man's snug-fitting jacket that is shaped and fitted to a man's body. The garment was worn in Spain, and spread to the ...
Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers. The painters of Renaissance Italy ...
Tabard. A tabard is a type of short coat that was commonly worn by men during the late Middle Ages and early modern period in Europe. Generally worn outdoors, the coat was either sleeveless or had short sleeves or shoulder pieces. In its more developed form it was open at the sides, and it could be worn with or without a belt.
The Flagellation of Christ by Piero della Francesca (above) demonstrates in a single small work many of the themes of Italian Renaissance painting, both in terms of compositional elements and subject matter. Immediately apparent is Piero's mastery of perspective and light. The architectural elements, including the tiled floor which becomes more ...