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According to the Natya Shastra, a rasa is a synthetic phenomenon and the goal of any creative performance art, oratory, painting or literature. [11] [12] Wallace Dace translates the ancient text's explanation of rasa as "a relish that of an elemental human emotion like love, pity, fear, heroism or mystery, which forms the dominant note of a dramatic piece; this dominant emotion, as tasted by ...
The title of the text is composed of two words, "Nāṭya" and "Shāstra". The root of the Sanskrit word Nāṭya is Nata (नट) which means "act, represent". [12] The word Shāstra (शास्त्र) means "precept, rules, manual, compendium, book or treatise", and is generally used as a suffix in the Indian literature context, for knowledge in a defined area of practice.
In the Indian performing arts, a rasa is a sentiment or emotion evoked in each member of the audience by the art. The Natya Shastra mentions six rasa in one section, but in the dedicated section on rasa it states and discusses eight primary rasa. [2] [3] Each rasa, according to Nātyasāstra, has a presiding deity and a specific colour. There ...
Rasa (Sanskrit: रास, IAST: rāsa) refers to the creation and reception of a distinct 'flavor' or quality of something. As a Sanskrit theological concept, rasa was popularized Krishna -centered bhakti traditions, such as Gaudiya Vaishnavism from the fifteenth century. The theological use of the word can be found early, about two thousand ...
Though many commentaries were written on Bharata's Natya Shastra earlier, which have been referred by Abhinavagupta where he asserts, Sthayibahva alone when enhanced with other emotions is the basis for Rasa. Thus, Sthayibhava attains mastery over all other forty-nine emotions (Bhavas) as elaborated by him in Natya Shastra. [4] [5]
The Ashta-Nayika is a collective name for eight types of nayika s or heroines as classified by Bharata in his Sanskrit treatise on performing arts - Natya Shastra. The eight nayikas represent eight different states (avastha) in relationship to her hero or nayaka. [1] As archetypal states of the romantic heroine, it has been used as theme in ...
The Nāṭya Śhāstra is notable as an ancient encyclopedic treatise on the performing arts, which has influenced dance, music and literary traditions in India. [1] It is also notable for its aesthetic "Rasa" theory, which asserts that entertainment is the desired effect of performance arts but not the primary goal and that the primary goal is to transport the individual in the audience into ...
Abhinavaguptas most important work on the philosophy of art is Abhinavabhāratī – a long and complex commentary on Natya Shastra of Bharata Muni. This work has been one of the most important factors contributing to Abhinavagupta's fame up until present day. His most important contribution was that to the theory of rasa (aesthetic savour).