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The title of the text is composed of two words, "Nāṭya" and "Shāstra". The root of the Sanskrit word Nāṭya is Nata (नट) which means "act, represent". [12] The word Shāstra (शास्त्र) means "precept, rules, manual, compendium, book or treatise", and is generally used as a suffix in the Indian literature context, for knowledge in a defined area of practice.
The Ashta-Nayika is a collective name for eight types of nayika s or heroines as classified by Bharata in his Sanskrit treatise on performing arts - Natya Shastra. The eight nayikas represent eight different states (avastha) in relationship to her hero or nayaka. [1] As archetypal states of the romantic heroine, it has been used as theme in ...
According to the Natya Shastra, a rasa is a synthetic phenomenon and the goal of any creative performance art, oratory, painting or literature. [11] [12] Wallace Dace translates the ancient text's explanation of rasa as "a relish that of an elemental human emotion like love, pity, fear, heroism or mystery, which forms the dominant note of a dramatic piece; this dominant emotion, as tasted by ...
Indian classical dance, or Shastriya Nritya, is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance, [1][2][3] the theory and practice of which can be traced to the Sanskrit text Natya Shastra. [4][5][6] The number of Indian classical dance styles ranges ...
The earliest surviving text with Kathak roots is the Natya Shastra, [22] attributed to sage Bharata. Its first complete compilation is dated to between 200 BCE and 200 CE, [23] [24] but estimates vary between 500 BCE and 500 CE. [25] The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters.
The Natya Shastra mentions six rasa in one section, but in the dedicated section on rasa it states and discusses eight primary rasa. [2] [3] Each rasa, according to Nātyasāstra, has a presiding deity and a specific colour. There are 4 pairs of rasas. For instance, Hāsya arises out of Sringara.
Abhinaya. Abhinaya (Sanskrit abhi- 'towards' + nii- 'leading/guide') is the art of expression in Indian aesthetics. More accurately it means "leading an audience towards" the experience (bhava) of a sentiment (rasa). The concept, derived from Bharata Muni 's Natya Shastra, is used as an integral part of all Indian classical dance styles.
Nritya is broadly categorized as one of three parts of Sangita, the other two being gita (vocal music, song) and vadya (instrumental music). [3] [4] [5] These ideas appear in the Vedic literature of Hinduism such as the Aitareya Brahmana, and in early post-Vedic era Sanskrit texts such as the Natya Shastra, Panchatantra, Malvikagnimitra and Kathasaritsagara.