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The title of the text is composed of two words, "Nāṭya" and "Shāstra". The root of the Sanskrit word Nāṭya is Nata (नट) which means "act, represent". [12] The word Shāstra (शास्त्र) means "precept, rules, manual, compendium, book or treatise", and is generally used as a suffix in the Indian literature context, for knowledge in a defined area of practice.
With the standardization of Bharatanatyam, there came books based on historic texts, like Natya Shastra, which described the different movements. [65] Evidence of a successful revival movement of Bharatanatyam through Indian Nationalist movements was the introduction of state-sponsored dance festivals in 1955 in an independent India. These ...
Indian classical dance, or Shastriya Nritya, is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance, [1][2][3] the theory and practice of which can be traced to the Sanskrit text Natya Shastra. [4][5][6] The number of Indian classical dance styles ranges ...
Bharata is known only as being traditionally attributed authorship of the treatise Natya Shastra. All other early Sanskrit treatises were similarly attributed to mythical sages. [1] He is thought to have lived between 200 BCE and 200 CE, [2] [3] but estimates vary between 500 BCE and 500 CE. [4]
Abhinavabharati is a Sanskrit commentary on the Natyasastra, an ancient treatise on dramatic theory by Bharata Muni. It is the oldest extant commentary on the treatise. The Abhinavabharati was written by Abhinavagupta (c. 950–1020), the great Kashmiri Saivite spiritual leader and a yogi. In this monumental work, Abhinavagupta explains the ...
Abhinavaguptas most important work on the philosophy of art is Abhinavabhāratī – a long and complex commentary on Natya Shastra of Bharata Muni. This work has been one of the most important factors contributing to Abhinavagupta's fame up until present day. His most important contribution was that to the theory of rasa (aesthetic savour).
Mohiniyattam is a classical Indian dance, [15] which by definition traces its repertoire to the foundational text Natya Shastra. [4] The Natya Shastra text is attributed to the ancient scholar Bharata Muni. [16] [17] [18] Its first complete compilation is dated to between 200 BCE and 200 CE, [19] [20] but estimates vary between 500 BCE and 500 ...
Karana (dance) Sculptures of the Karanas performed by the god of dance - Nataraja - at Kadavul Hindu Temple, on Kauai, Hawaii. Karana s are the 108 key transitions [1] in the classical Indian dance described in 4th Chapter named "Tandava Lakshana" of Natya Shastra. Karana is a Sanskrit verbal noun, meaning "doing".
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