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The Four Freedoms is a series of four oil paintings made in 1943 by the American artist Norman Rockwell.The paintings—Freedom of Speech, Freedom of Worship, Freedom from Want, and Freedom from Fear—are each approximately 45.75 by 35.5 inches (116.2 by 90.2 cm), [1] and are now in the Norman Rockwell Museum in Stockbridge, Massachusetts.
Freedom from fear is listed as a fundamental human right according to The Universal Declaration of Human Rights, adopted in 1948. On January 6, 1941, United States President Franklin D. Roosevelt called it one of the " Four Freedoms " at his State of the Union , which was afterwards therefore referred to as the "Four Freedoms speech". [ 1 ]
Freedom from Fear is the last of the Four Freedoms oil paintings produced by the American artist Norman Rockwell. The series was based on the four goals known as the Four Freedoms , which were enunciated by President Franklin D. Roosevelt in his State of the Union Address on January 6, 1941.
Freedom from Want is the third in a series of four oil paintings entitled Four Freedoms by Norman Rockwell.They were inspired by Franklin D. Roosevelt's State of the Union Address, known as Four Freedoms, delivered to the 77th United States Congress on January 6, 1941. [2]
Indeed, these Four Freedoms were explicitly incorporated into the preamble to the Universal Declaration of Human Rights, which reads: "Whereas disregard and contempt for human rights have resulted in barbarous acts which have outraged the conscience of mankind, and the advent of a world in which human beings shall enjoy the freedom of speech ...
Repeatedly, the terms artistic freedom and freedom of artistic expressions are used as synonyms. Their underlying concepts "art", "freedom" and "expression" comprise very vast fields of discussion: "Art is a very 'subtle'—sometimes also symbolic—form of expression, suffering from definition problems more than any other form."
An annual activity of the organization is the International Human Rights Arts Festival (IHRAF), which formally commenced in 2017 in New York [14] The Festival is timed to coincide with International Human Rights Day on December 10 each year, [15]. and involves live performances, aimed at facilitating discussion on social justice issues, especially involving the rights of ethnic and racial ...
In visual art, horror vacui (Latin for 'fear of empty space'; UK: / ˌ h ɒ r ə ˈ v æ k j u aɪ /; US: /-ˈ v ɑː k-/), or kenophobia (Greek for 'fear of the empty'), [1] is a phenomenon in which the entire surface of a space or an artwork is filled with detail and content, leaving as little perceived emptiness as possible. [2]