Search results
Results from the WOW.Com Content Network
Marc-André Hamelin, OC, OQ (born September 5, 1961) is a Canadian virtuoso pianist and composer [1] who has received 11 Grammy Award nominations. [2] He is on the faculty of the New England Conservatory of Music .
1592 painting of the Pied Piper copied from a window in the Hamelin Marktkirche Postcard from Hamelin featuring the Pied Piper, 1902. The Pied Piper of Hamelin (German: der Rattenfänger von Hameln, "the Ratcatcher of Hamelin") is the title character of a legend from the town of Hamelin (Hameln), Lower Saxony, Germany.
Der Rattenfänger von Hameln (The Rat-Catcher of Hamelin or The Piper of Hamelin) is a grand opera (Große Oper) in five acts by Viktor Nessler. The German libretto by Friedrich Hofmann [ de ] is based on a 1875 romantic poem by Julius Wolff about the Pied Piper of Hamelin .
In 1843, the people of Hamelin built a sightseeing tower on the Klüt Hill out of the ruins of Fort George. The tower is called the Klütturm and is a popular sight for tourists. In 1867 Hamelin became part of the Kingdom of Prussia, which annexed Hanover in the aftermath of the Austro-Prussian War of 1866.
Circus Galop is a piece written for player pianos by Marc-André Hamelin. It was composed between the years 1991 and 1994 and is dedicated to Beatrix and Jürgen Hocker, piano roll makers. Its duration is approximately 4–5 minutes. [ 1 ]
André Prévost: Quatre préludes for 2 pianos (1961) Marc-André Hamelin: Prélude et fugue (Étude No. 12) for piano solo (1986) December 1992 Doberman-Yppan: 1993, 2008 Martinů: Chamber Music; Marc-André Hamelin (piano, harpsichord); Alain Marion (flute); Angèle Dubeau (violin) Sonata for flute, violin and piano, H 254 (1937)
Hamelin co-wrote, produced and mixed the Leikeli47 track "Chain Gang" for the soundtrack to the 2018 film Uncle Drew. [ 13 ] Hamelin produced 9 songs on 070 Shake 's 2020 album Modus Vivendi [ 14 ] and was an executive producer on her sophomore album You Can't Kill Me , [ 15 ] contributing to every song on the album.
Alejandro Enrique Planchart, "The Origins and Early History of 'L'homme armé'", The Journal of Musicology, vol. 20, no. 3 (Summer 2003), pp. 305–357. Craig Wright: "The Maze and the Warrior" Harvard University Press 2001, ISBN 0-674-01363-8; Richard Taruskin: The Oxford History of Western Music, Oxford University Press 2005, ISBN 0-19-516979-4