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Aangan / ˈ ɑː ŋ ɡ ə n / (Urdu: آنگن, romanized: Āṅgan, lit. 'courtyard'), alternatively spelled Angan, is a period novel by Pakistani novelist and short story writer Khadija Mastoor. Published in 1962, it is hailed as a masterpiece of Urdu literature.
A narrative hook (or just hook) is a literary technique in the opening of a story that "hooks" the reader's attention so that they will keep on reading. The "opening" may consist of several paragraphs for a short story, or several pages for a novel, and may even be the opening sentence .
Umrao Jaan Ada (Urdu: اُمراؤ جان ادا) is an Urdu novel by Mirza Hadi Ruswa (1857–1931), first published in 1899. [1] It is considered the first Urdu novel by many [2] and tells the story of a tawaif and poet by the same name from 19th century Lucknow, as recounted by her to the author.
Pir-e-Kamil or Peer-e-Kamil (Urdu: پیر کامل صلی اللہ علیہ و آلہ و سلم; meaning "The Perfect Mentor") is a novel written by Pakistani writer Umera Ahmad. [1] It was first published in Urdu in 2004 and later in English in 2011.
Tiffany Stewart, a writer and producer in Los Angeles, first read “All About Love” two years ago with her reading group and reread it recently. A new generation of readers embraces bell hooks ...
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language. While it tends to be dominated by poetry , especially the verse forms of the ghazal ( غزل ) and nazm ( نظم ), it has expanded into other styles of writing, including that of the short story, or afsana ...
A lead paragraph (sometimes shortened to lead; in the United States sometimes spelled lede) is the opening paragraph of an article, book chapter, or other written work that summarizes its main ideas. [1] Styles vary widely among the different types and genres of publications, from journalistic news-style leads to a more encyclopaedic variety.
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.