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Bringing a pet (dog, cat...) on a theatrical stage set or film set or photoshoot is considered to bring bad luck to any production. “A pet on set is bad luck”. Some words and phrases are used during pre-stage warm-up sessions by actors. One of these is the Western Shoshone term "poo-wa-bah" (possibly meaning "doctor-water").
The traditional origin is said to be a curse set upon the play by a coven of witches, angry at Shakespeare for using a real spell. [2] One hypothesis for the origin of this superstition is that Macbeth, being a popular play, was commonly put on by theatres in financial trouble, or that the high production costs of Macbeth put theatres in financial trouble.
Shakespeare's writing features extensive wordplay of double entendres and clever rhetorical flourishes. [27] Humour is a key element in all of Shakespeare's plays. His works have been considered controversial through the centuries for his use of bawdy punning, [28] to the extent that "virtually every play is shot through with sexual puns."
Shakespeare's witches are prophets who hail Macbeth early in the play, and predict his ascent to kingship. Upon killing the king and gaining the throne of Scotland, Macbeth hears them ambiguously predict his eventual downfall. The witches, and their "filthy" trappings and supernatural activities, set an ominous tone for the play.
The Comedy of Errors is one of William Shakespeare's early plays. It is his shortest and one of his most farcical comedies, with a major part of the humour coming from slapstick and mistaken identity, in addition to puns and word play.
The ghost scenes, indeed, were particular favorites of an age on the verge of the Gothic revival. Early in the century, George Stubbes noted Shakespeare's use of Horatio's incredulity to make the Ghost credible. [17] At midcentury, Arthur Murphy described the play as a sort of poetic representation of the mind of a "weak and melancholy person."
Writes Jan Kott, in Shakespeare Our Contemporary, The Fool does not follow any ideology. He rejects all appearances, of law, justice, moral order. He sees brute force, cruelty and lust. He has no illusions and does not seek consolation in the existence of natural or supernatural order, which provides for the punishment of evil and the reward of ...
Tolstoy on Shakespeare. [5] [6] D. H. Lawrence, 1928: "When I read Shakespeare I am struck with wonder that such trivial people should muse and thunder in such lovely language. . . How boring, how small Shakespeare's people are! Yet the language so lovely! like the dyes from gas-tar." "When I Read Shakespeare" in The Complete Poems of D. H ...