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Bach Mai Airfield (Vietnamese: Sân bay Bach Mai) is a disused military airport in Thanh Xuan District, Hanoi, Vietnam, located along modern-day Le Trong Tan street.It was constructed by the French in 1917 and used by French forces until 1954; along with Gia Lam Airbase, it was one of the major logistics bases supporting French operations at Dien Bien Phu. [1]
Soloists Bach composed the work for five soloists: soprano I and II, alto, tenor and bass. The soloists are listed in the table in the order SATB. Some recordings arranged the music for four soloists, the movements in which soprano II (SII) is requested, are divided, sung by soprano I (SI) and alto (A). Christe eleison: A for SII in the duet ...
Lê Thanh Điền (4 May 1967 – 25 December 2023), known online as Thanh Điền guitar and Thanh Dien guitarist, was a Vietnamese guitarist.. Born blind, he was known for his YouTube channel, where he provided backing music for singers singing old and modern songs.
Bach in the Subways Day 2014 was joined by 77 musicians in 12 cities in 4 countries, including 22 performers organized by Lee in Los Angeles, and a quartet of three cellos and a tuba on a moving subway train in Taipei. It was the first year a Bach in the Subways website offered Google map pins and listings for all the performances.
"Để Mị nói cho mà nghe" received praise from both the public and professionals. The song won "Song of the Year" and "Music Video of the Year" from the Dedication Music Award 2020, and won a record six awards from Làn Sóng Xanh, [3] [4] as well as three awards from giải Mai Vàng (Golden Plum Award) and one award from WebTVAsia Awards ...
The discography of Canadian heavy metal singer Sebastian Bach consists of four studio albums, one live album, one compilation album, one EP, eight singles, and various videos. This list include all solo material or side projects performed by Bach.
Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! ich bin dein müde, Riemenscheider No. 150, Terry No. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27.