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A music video was produced to promote the single, directed by Charles Wittenmeier. It earned an award in the category for Best New Artist Clip at the 1994 Billboard Music Video Awards in Los Angeles. [19] The video was later made available on YouTube's Vevo channel in 2009, and had generated more than 14 million views as of early 2024. [20]
Acid jazz (also known as club jazz, psychedelic jazz, or groove jazz) is a music genre that combines elements of funk, soul, and hip hop, as well as jazz and disco. [1] [2] Acid jazz originated in clubs in London during the 1980s with the rare groove movement and spread to the United States, Western Europe, Latin America and Japan.
Richard Arnold "Groove" Holmes (May 2, 1931 – June 29, 1991) was an American jazz organist who performed in the hard bop and soul jazz genre. [1] He is best known for his 1965 recording of " Misty ".
In jazz, it can be felt as a quality of persistently repeated rhythmic units, created by the interaction of the music played by a band's rhythm section (e.g. drums, electric bass or double bass, guitar, and keyboards). Groove is a significant feature of popular music, and can be found in many genres, including salsa, rock, soul, funk, and fusion.
Unable to perform live due to COVID-19 lockdowns in 2020, Henderson adapted by creating comedy songs and sketches on both his personal and Jazz Emu YouTube channels and social media accounts. [4] This led to his breakthrough as Jazz Emu, with his song "How to Socialise" being featured on BBC Radio 1 by presenter Greg James , who described him ...
1958 Let's Get Acquainted with Jazz (for People Who Hate Jazz) (Tampa, reissued by VSOP) 1958 Weather in a Jazz Vane (Andex, reissued by VSOP) 1959 Upper Classmen (Interlude) 1960 Fiorello Uptown, Mary Sunshine Downtown ; 1962 Kinda Groovy ; 1968 Our Delight (VSOP) 1972 Some Other Spring (Blue Angel) 1974 Jazz Is a Fleeting Moment (Jazzz)
The word originated in the jazz culture of the 1920s, in which it referred to the “groove” of a piece of music (its rhythm and “feel”), plus the response felt by its listeners. [1] It can also reference the physical groove of a record in which the pick-up needle runs.
Quincy Jones - Composer, musical director; Bill Cosby - Vocals; Arthur Adams - Guitar; Eddie Harris - Tenor saxophone; Ernie Watts - Tenor saxophone; Clare Fischer - Piano; Les McCann - Piano