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Ivory carving has a special importance to the medieval art of Europe because of this, and in particular for Byzantine art as so little monumental sculpture was produced or has survived. [ 1 ] As the elephant and other ivory-producing species have become endangered , largely because of hunting for ivory, CITES and national legislation in most ...
There is a second ivory triptych in the British Museum and two leaves divided between the British Museum and the Louvre. They are carved with the same arms. [6] The Grandisson ivories in the Louvre and British Museum demonstrate iconographic features that suggest Italian influence and the style of paintings from the province of Siena in Tuscany ...
The actual bookbinding technique is the same as for other medieval books, with the folios, normally of vellum, stitched together and bound to wooden cover boards. The metal furnishings of the treasure binding are then fixed, normally by tacks, onto these boards.
The Wild Man: Medieval Myth and Symbolism, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material (no. 11) on casket 17.190.173 in the Metropolitan Museum of Art. This was before the original front 1988.16 was discovered and now in place.
Lasko, Peter, Ars Sacra, 800–1200, 1994 (2nd edn.), Penguin History of Art (now Yale), ISBN 0300053673, Google books; Williamson, Paul. An Introduction to Medieval Ivory Carvings, 1982, HMSO for V&A Museum, ISBN 0112903770
Now, she’s the author of a book with a tongue-in-cheek guide to living like it’s 999 AD — or thereabouts — called “Weird Medieval Guys: How to Live, Love, Laugh (and Die) in Dark Times.”
The great majority of works are undocumented and unsigned, and there were almost certainly other workshops working in the style, [8] so the modern tendency among museums and art historians is to attribute them using "Embriachi workshop", "Embriachi-type" or similar terms. They are also very hard to date with any precision on stylistic grounds.
Ivory was used to construct the Morgan Casket and other items intended for royal use because of its durability. The smoothness of the texture made it ideal for carving, but its rarity resulted in ivory objects being expensive. Due to the expense and the characteristics of the ivory it was used for intricate carvings for items made for royal ...
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