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The earliest mention of Kathak as an art form is found in the Arjuna-Vanavasa chapter of the Aadi-Parva of Mahabharata. In its initial phase, Kathak is regarded to have been a mimetic representation of Puranic literature accompanied with dance. Kathakas were Granthikas reciting stories related to Vishnu. When Krishna was identified with Vishnu ...
In Bharatanatyam, the classical dance of India performed by Lord Nataraja, approximately 48 root mudras (hand or finger gestures) are used to clearly communicate specific ideas, events, actions, or creatures in which 28 require only one hand, and are classified as `Asamyuta Hasta', along with 23 other primary mudras which require both hands and are classified as 'Samyuta Hasta'; these 51 are ...
Kathak performances include Urdu ghazal and commonly used instruments brought during the Mughal period. [5] As a result, it is the only Indian classical dance form to feature Persian elements. [6] Kathak is found in three distinct forms, called "gharana", named after the cities where the Kathak dance tradition evolved – Jaipur, Banares and ...
Tawaif Mah Laqa Bai dancing in court. Mujra is a dance performance by man/woman in a format that emerged during Mughal rule in India, where the elite class and local rulers like the nawabs of the Indian society (often connected to the Mughal emperor's court) used to frequent tawaifs (courtesans) for their entertainment.
Nighat Chaudhry (Urdu: نگہت چودھری) [1] is a Kathak classical dancer who was born on 24 February 1959, in Lahore, Pakistan. She moved to London with her parents when she was one year old. [2] She studied ballet and contemporary dance; but when she was 14, she met Nahid Siddiqui, one of the greatest Kathak dancers, and began training ...
Sitara Devi (born Dhanlakshmi; 8 November 1920 – 25 November 2014) was an Indian dancer of the classical Kathak style of dancing, a singer, and an actress. She was the recipient of several awards and accolades, and performed at several prestigious venues in India and abroad; including the Royal Albert Hall, London (1967) and at the Carnegie Hall, New York (1976).
Odissi is traditionally a dance-drama genre of performance art, where the artist(s) and musicians play out a story, a spiritual message or devotional poem from the Hindu texts, using symbolic costumes, [12] body movement, abhinaya (expressions) and mudras (gestures and sign language) set out in ancient Sanskrit literature. [13]
Nahid Siddiqui (born 1956 [1]) is an exponent of Kathak dance. [2] [3]She has been a disciple of two great teachers: Maharaj Kathak (Pakistan) and Birju Maharaj (India). She has against all odds and challenges, spent decades of her life breathing hope, vitality, and exuberance to a dance form that has received very little state patronage and support.