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Consecration cross Consecration cross in the Church of Saint-Vaast, Villac, Dordogne, France. Consecration crosses are crosses on the interior walls and exterior architecture of a Christian church or cathedral showing where the bishop has anointed the church with chrism or holy water in order to consecrate it.
The sloping ceiling panels portray the Apostles, with floral garlands weaving through the panels. No two garlands have the same flowers. The angels who hold the garland are life size. The upper arches depict saints of the Church. The lower arches depict Jesuit saints. These paintings include St. Thomas, Apostle of India, with a spear in his hand.
A goal you hear often in the Orthodox church is to “create heaven on earth,” whether it be in the liturgy, the architecture or, as in this case, with the images that fill the walls.
Amiens Cathedral floorplan: massive piers support the west end towers; transepts are abbreviated; seven radiating chapels form the chevet reached from the ambulatory. In Western ecclesiastical architecture, a cathedral diagram is a floor plan showing the sections of walls and piers, giving an idea of the profiles of their columns and ribbing.
Smaller examples may cover other objects in a church. In a very large church, a ciborium is an effective way of visually highlighting the altar, and emphasizing its importance. The altar and ciborium are often set upon a dais to raise it above the floor of the sanctuary. A ciborium is also a covered, chalice-shaped container for Eucharistic hosts.
A Holy Ghost hole in the center of a fresco with a latticework covering and a dove figure, Parish church of Wiesing. A Holy Ghost hole, or Holy Spirit hole, is a circular opening in the ceiling of a church which symbolises the descent of the Holy Spirit on the day of Pentecost. The openings are often used for liturgical performances.
The ceiling was painted at the commission of Pope Julius II. The ceiling's various painted elements form part of a larger scheme of decoration within the chapel. Prior to Michelangelo's contribution, the walls were painted by several leading artists of the late 15th century including Sandro Botticelli, Domenico Ghirlandaio, and Pietro Perugino.
Thin stone panels fill the space between the ribs. This greatly reduced the weight and thus the outward thrust of the vault. The ribs transmit the load downward and outward to specific points, usually rows of columns or piers. This feature allowed architects of Gothic cathedrals to make higher and thinner walls and much larger windows. [1] [2]
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