Search results
Results from the WOW.Com Content Network
[2] Chapter 11: On a visit to the countryside as a young boy, he attains the highest levels of samadhi. Chapter 12: As a young man, he demonstrates prowess in the traditional worldly arts, and wins the hand of Gopā, a Śākya girl whose father requires proof of the Bodhisattva's qualities as a proper husband.
Sangita Ratnakara was written by Śārṅgadeva, also spelled Sarangadeva or Sharangadeva.Śārṅgadeva was born in a Brahmin family of Kashmir. [11] In the era of Islamic invasion of the northwest regions of the Indian subcontinent and the start of Delhi Sultanate, his family migrated south and settled in the Hindu kingdom in the Deccan region near Ellora Caves (Maharashtra).
Panchadasi or Panchadashi (Devanagari: पञ्चदशी IAST paṃcadaśī) is a simple yet comprehensive manual of Advaita Vedanta written in the fourteenth century CE (1386-1391) by Vidyaranya, previously known as Madhavacharya.
Chapter 8 (verses 58–73) covers the forms of divine love. Chapter 9 (verses 74–84) recommends the practice of ethical virtues and worship of God. In the translation by Bhaktivedanta Swami Prabhupada, the chapters break at similar points, but with the first four chapters arranged into double the amount of verses:
The verse might be present in certain recensions of the Hindu epic Ramayana, though it is not present in its Critical Edition. [3]Further, at least two versions of the shloka are prevalent.
The chapter offers sixteen themes in explaining what Brahman (Atman) is, which overlaps with the twelve found in Chapter 2 of Brihadaranyaka Upanishad. [24] This last chapter of Kausitaki Upanishad states that Brahman and Self are one, there is ultimate unity in the Self, which is the creative, pervasive, supreme and universal in each living being.
Of the poem's 28 cantos, only the first 14 are extant in Sanskrit (cantos 15 to 28 are in incomplete form). But in Chinese (5th century) and Tibetan translations, all 28 chapters are preserved. In 420 AD, Dharmakṣema [ 2 ] made a Chinese translation, and in the 7th or 8th century, a Tibetan version was composed by an unknown author which ...
Chapter 1 and chapter 3 are influenced by Manu, while chapter 2, focusing on legal procedure, draws from both Manu and Kautilya's Arthashastra. The text includes sections discussing embryology and anatomy, drawn from medical texts such as Charaka Samhita. It also contains concise portions on music and yogic meditation, likely derived from early ...