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Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), [1] also formerly spelled Karl Philipp Emmanuel Bach, [2] and commonly abbreviated C. P. E. Bach, was a German Baroque and Classical period composer and musician, the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. C. P. E. Bach was an ...
The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. [3] The new complete edition of Carl Philipp Emanuel Bach's works [4] surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.
P. Passions (C. P. E. Bach) S. Solfeggietto; Sonata in A minor for Solo Flute, Wq. 132 This page was last edited on 18 April 2020, at 02:37 (UTC). Text is available ...
Carl Philipp Emanuel Bach: The Complete Works is a critical edition of the music and keyboard treatise by C.P.E. Bach.The project was begun in 1998–99 in the wake of the aborted Carl Philipp Emanuel Bach Edition, and many of the same eminent music scholars associated with the earlier incomplete edition have become involved with the new one.
The Passions themselves are as follows (year of performance given): [4] Passion according to St. Matthew: 1769, 1773, 1777, 1781, 1785, 1789; Passion according to St ...
The Sonata for Solo Flute in A minor, Wq.132, H 562, is a sonata for flute, without Basso Continuo or accompanying instruments, composed by Carl Philipp Emanuel Bach. [1] The sonata is considered, along with Telemann's Fantasias for Solo Flute and J. S. Bach's A minor partita, one of the most significant works for unaccompanied flute before the 20th century. [2]
Solfeggietto (H 220, Wq. 117: 2) is a short solo keyboard piece in C minor composed in 1766 by Carl Philipp Emanuel Bach. [1] Although the Solfeggietto title is widely used today, according to Powers 2002, p. 232, the work is correctly called Solfeggio, but the author provides no evidence for this.
The orchestra’s extensive recordings of C.P.E. Bach’s works, many of them first recordings, were distinguished with numerous prizes. The C.P.E. Bach Chamber Orchestra held a special place in Berlin’s musical life as “a point of reference for excellence of quality and unmistakable style” (Berliner Zeitung).