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Modern dance is a broad genre of western concert or theatrical dance which includes dance styles such as ballet, folk, ethnic, religious, and social dancing; and primarily arose out of Europe and the United States in the late 19th and early 20th centuries.
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. [1] The word is loaned from French and derives from the Italian burlesco , which, in turn, is derived from the Italian burla – a joke, ridicule or mockery.
A choreopoem is a form of dramatic expression that combines poetry, dance, music, and song. [1] The term was first coined in 1975 [2] by American writer Ntozake Shange in a description of her work, For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf.
Closely related to the development of American music in the early 20th century was the emergence of a new, and distinctively American, art form – modern dance. Among the early innovators was Isadora Duncan (1878–1927), who stressed pure, unstructured movement in lieu of the positions of classical ballet.
Contemporary ballet takes inspiration from classical ballet elements and adding modern techniques of jazz and other dance forms, and focuses more on athleticism and bigger and swifter tempos. [9] Finally the last style of ballet is Romantic , which is very similar to Classical ballet in the fact that drama, emotion, and a strong storytelling ...
John Martin (June 2, 1893 – May 19, 1985) became America's first major dance critic in 1927. Focusing his efforts on propelling the modern dance movement, he greatly influenced the careers of dancers such as Martha Graham. Within his life he wrote several books on the modern dance and received numerous awards for his work.
Viewpoints is a movement-based pedagogical and artistic practice [1] that provides a framework for creating and analyzing performance by exploring spatial relationships, shape, time, emotion, movement mechanics, and the materiality of the actor's body.