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In Ancient Rome, declamation was a genre of ancient rhetoric and a mainstay of the Roman higher education system. It was separated into two component subgenres, the controversia, speeches of defense or prosecution in fictitious court cases, and the suasoria, in which the speaker advised a historical or legendary figure as to a course of action.
Melodeclamation (from Greek “melos” = song, and Latin “declamatio” = declamation) was a chiefly 19th century practice of reciting poetry while accompanied by concert music. [1] It is also described as "a type of rhythmic vocal writing that bears a resemblance to Sprechstimme ."
Declamation, or memorized speech, is the high-school interpretation and presentation of a non-original speech. Speeches may be historical (such as Martin Luther King Jr. 's " I Have a Dream " speech) or adapted from magazine articles, commencement addresses, or other adaptations of non-original material (including forensics speeches from ...
Late Renaissance composers in particular were concerned with matching text up with music in such a way that the latter could be said to express the former. Madrigalists used a declamation technique known as word painting (text painting or tone painting) to make musical notes illustrate word meanings, trying literally to paint visual images with sonic materials.
Samson and Delilah (French: Samson et Dalila), Op. 47, is a grand opera in three acts and four scenes by Camille Saint-Saëns to a French libretto by Ferdinand Lemaire.It was first performed in Weimar at the Grossherzogliches (Grand Ducal) Theater (now the Staatskapelle Weimar) on 2 December 1877 in a German translation.
It can be a printed page that a child completes with a writing instrument. No other materials are needed. In education, a worksheet may have questions for students and places to record answers. In accounting, a worksheet is, or was, a sheet of ruled paper with rows and columns on which an accountant could record information or perform calculations.
This score for Handel's Lascia ch'io pianga shows the simple accompaniment for a recitative; much of the time, the basso continuo (the lower staff in bass clef) play half notes and whole notes underneath the vocalist's recitative part.
The use of melisma is a common feature of artists such as Deniece Williams, Stevie Wonder, Luther Vandross, Whitney Houston, Céline Dion, Mariah Carey, Christina Aguilera, Brandy, Beyoncé, among others.
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