Search results
Results from the WOW.Com Content Network
It is the subjective counterpart of the space of physical objects. There is a long history in philosophy, and later psychology of writings describing visual space, and its relationship to the space of physical objects. A partial list would include René Descartes, Immanuel Kant, Hermann von Helmholtz, William James, to name just a few.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
The problem of change is just that if an object x and an object y have different properties, then by Leibniz's Law, one ought to conclude that they are different. For example, if a person changes from having long hair to short hair, then the temporal-parts theorist can say that change is the difference between the temporal parts of a temporally ...
Class nominalism argues that class membership forms the metaphysical backing for property relationships: two particular red balls share a property in that they are both members of classes corresponding to their properties – that of being red and of being balls.
In natural language and physical science, a physical object or material object (or simply an object or body) is a contiguous collection of matter, within a defined boundary (or surface), that exists in space and time. Usually contrasted with abstract objects and mental objects. [1] [2]
Abstract objects have often garnered the interest of philosophers because they raise problems for popular theories. In ontology, abstract objects are considered problematic for physicalism and some forms of naturalism. Historically, the most important ontological dispute about abstract objects has been the problem of universals.
In metaphysics, phenomenalism is the view that physical objects cannot justifiably be said to exist in themselves, but only as perceptual phenomena or sensory stimuli (e.g. redness, hardness, softness, sweetness, etc.) situated in time and in space.
An English-language modernist group founded in 1914 that poetry based on description rather than theme, and on the motto, "the natural object is always the adequate symbol" [94] Ezra Pound, H.D., Richard Aldington: Dada: Touted by its proponents as anti-art, the Dada avant-garde focused on going against artistic norms and conventions [95]