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In present day China, the Sanxing and other Chinese folk deities continue to be perceived as powerful carrier of good fortune. [2] The Queen Mother of the West , Xi Wangmu, who is often figured in Chinese stories, is associated with symbols of longevity in Chinese arts as the peaches of immortality are believed to grow in her celestial peach ...
Song dynasty silk tapestry wrapper from the Admonitions Scroll of Gu Kaizhi, with a design of a peony among hydrangeas. Kesi (simplified Chinese: 缂丝; traditional Chinese: 緙絲; pinyin: kèsī) is a technique in Chinese silk tapestry. It is admired for its lightness and clarity of pattern.
As with calligraphy, the most popular materials on which paintings are made are paper and silk. The finished work can be mounted on scrolls, such as hanging scrolls or handscrolls. Traditional painting can also be done on album sheets, walls, lacquerware, folding screens, and other media. The two main techniques in Chinese painting are:
Particularly ornate spirit screens featuring a dragon motif are the Nine-Dragon Walls that can be found in imperial palaces and gardens. Spirit screens are tied to the belief that evil spirits ( Chinese : 鬼 ; pinyin : guǐ ) cannot move around corners, hence the spirit screen blocks them from entering through the gate they shield.
A six-panel byōbu from the 17th century Pair of screens with a leopard, tiger and dragon by Kanō Sanraku, 17th century, each 1.78 m × 3.56 m (5.8 ft × 11.7 ft), displayed flat Left panel of Irises (燕子花図, kakitsubata-zu) by Ogata Kōrin, 1702 Left panel of the Shōrin-zu byōbu (松林図 屏風, Pine Trees screen) by Hasegawa Tōhaku, c. 1595 Byōbu depicting Osaka from the early ...
Hand-painted Chinese wallpaper showing a funeral procession, made for the European market, c. 1780. In 1712, during the reign of Queen Anne, a wallpaper tax was introduced which was not abolished until 1836. By the mid-18th century, Britain was the leading wallpaper manufacturer in Europe, exporting vast quantities to Europe in addition to ...
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A handscroll has a backing of protective and decorative silk (包首) usually bearing a small title label (題簽) on it. [6]In Chinese art, the handscroll usually consists of a frontispiece (引首) at the beginning (right side), the artwork (畫心) itself in the middle, and a colophon section (拖尾) at the end for various inscriptions.
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