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The Cambridge Companions to Music form a book series published by Cambridge University Press. Each book is a collection of essays on the topic commissioned by the publisher. [1] The first was published in 1993, the Cambridge Companion to the Violin. Since then numerous volumes have been published nearly every year, covering a variety of ...
[7] A violin is the "modern form of the smaller, medieval viola da braccio." ("arm viola") [6] The violin is often called a fiddle. "Fiddle" can be used as the instrument's customary name in folk music, or as an informal name for the instrument in other styles of music. [8] The word "fiddle" was first used in English in the late 14th century. [8]
It is part of a chord, but is not one of the chord tones (1 3 5 7). Typically, in the classical common practice period a dissonant chord (chord with tension) "resolves" to a consonant chord. Harmonization usually sounds pleasant to the ear when there is a balance between the consonant and dissonant sounds. In simple words, that occurs when ...
Having played violins from many manufacturers, Henley sought to compile a comprehensive list evaluating violin and bow makers. After Henley's death in 1957, dealer Cyril Woodcock (1897–1980) [1] completed and published the work based on Henley's unfinished notes. The work was first published in five volumes in 1959 and 1960, and republished ...
The abbreviations col 8, coll' 8, and c. 8 va stand for coll'ottava, meaning "with the octave", i.e. to play the notes in the passage together with the notes in the notated octaves. Any of these directions can be cancelled with the word loco , but often a dashed line or bracket indicates the extent of the music affected.
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For example, a 7/8 violin has a scale of about 317 mm, a 3/4-size instrument a scale of 307 mm, a half-size one 287 mm, and a quarter-size one 267 mm. 1/8, 1/10, 1/16 and 1/32 and even 1/64 violins also exist, becoming progressively smaller, but again in no proportional relationship. (A full-size instrument is described as 4/4.)
The row's last four notes, ascending whole tones, are also the first four notes of the chorale melody "Es ist genug" ("It is enough"). Bach composed a four-part setting of the hymn by Franz Joachim Burmeister with a melody by Johann Rudolph Ahle to conclude his cantata O Ewigkeit, du Donnerwort , BWV 60 ( O eternity, you thunderous word ). [ 6 ]