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The compound term Khoisan / Khoesān is a modern anthropological convention in use since the early-to-mid 20th century. Khoisan is a coinage by Leonhard Schulze in the 1920s and popularised by Isaac Schapera. [6] It entered wider usage from the 1960s based on the proposal of a "Khoisan" language family by Joseph Greenberg.
Khovar painting is a sacred art form depicting fertility and is generally monochrome. First, the wall is covered with black earth, depicting the womb. Then it is covered with white clay, which symbolises sperm. After the clay is set half-way, a comb is used to draw patterns resembling a rising Mother Goddess.
Map of modern distribution of "Khoisan" languages. The territories shaded blue and green, and those to their east, are those of San peoples. The San peoples (also Saan), or Bushmen, are the members of any of the indigenous hunter-gatherer cultures of southern Africa, and the oldest surviving cultures of the region. [2]
Capoid race is a grouping formerly used for the Khoikhoi and San peoples in the context of a now-outdated [1] model of dividing humanity into different races.The term was introduced by Carleton S. Coon in 1962 and named for the Cape of Good Hope. [2]
Detail wall painting, Ladakh Detail of a wall painting in a Buddhist temple in Ladakh/India. The support for wall paintings is made of earthen plaster, usually consisting of more than one layer of earthen plaster, in which the last layer is rendered as smoothly as possible. The support was covered by a smoothened ground, generally in white.
"It has a lot of action and color, and reached its climax in the shaded eland pictures." It is usually associated with the San. [11] According to Woodhouse, clues are given as to who worked on the rock art by the subjects that are chosen. There are many pictures of the eland, reybuck, hartebeest and lion, and also of the San and fighting. [6]
In this type of industrial or commercial printing, the technique used to print full-color images, such as color photographs, is referred to as four-color-process or merely process printing. Four inks are used: three secondary colors plus black. These ink colors are cyan, magenta, yellow and key ; abbreviated as CMYK.
The style involved reducing an object (whether a painting or a design) to its essentials, using only black, white and primary colours, and a simple geometry of straight lines and planes. Gerrit Rietveld 's Red and Blue Chair (1917–1918) and Rietveld Schröder House in Utrecht (1924) show this use of colour.