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Pages in category "Female characters in literature" The following 200 pages are in this category, out of approximately 458 total. This list may not reflect recent changes .
The strong female character is a stock character, the opposite of the damsel in distress. In the first half of the 20th century, the rise of mainstream feminism and the increased use of the concept in the later 20th century have reduced the concept to a standard item of pop culture fiction.
Carol Chillington Rutter, author of Enter the Body: Women and Representation on Shakespeare's Stage (2001), focuses for instance on the body of Cordelia, as her father, King Lear, carries her on to the stage; on the body of Ophelia in the grave; and on the bodies of the two women on the bed at the end of Othello, "a play that destroys women." [5]
The characteristics of idealization and self-insertion are usually cited by fans as hallmarks of a Mary Sue character. [7] Gender studies researcher Catherine Driscoll writes that "the Mary Sue is generally associated with girl writers who have trouble distancing themselves from the source text enough to write about it rather than write themselves into it". [19]
The academic discipline of women's writing is a discrete area of literary studies which is based on the notion that the experience of women, historically, has been shaped by their sex, and so women writers by definition are a group worthy of separate study: "Their texts emerge from and intervene in conditions usually very different from those which produced most writing by men."
This character archetype of the 1930s → 1950s of a tough-talking, self-possessed, and independent woman — a good film role with much screen-time and character development who sparked against and vied with the male lead role, often Gary Cooper or Cary Grant — and was popularized in the film noir thrillers and screwball comedy films of ...
Le Droit des femmes, meaning Women's Rights (1869 to 1891) A Doll's House Repaired, Eleanor Marx Aveling (1891) [106] The Woman's Movement in the South, A.P. Mayo (1891) [107] "Transactions of the National Council of Women of the United States" (1891) [108] A Voice from the South, Anna Julia Cooper (1892)
Jane Eyre is the fictional heroine and the titular protagonist in Charlotte Brontë's 1847 novel of the same name.The story follows Jane's infancy and childhood as an orphan, her employment first as a teacher and then as a governess, and her romantic involvement with her employer, the mysterious and moody Edward Rochester.