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Since then, itasha (as the decorated vehicle) was derived from combining the Japanese words itai (痛い, painful, cringe, embarrassing) and sha (車, vehicle). [4] Itai means "painful", with additional senses of "painfully embarrassing" → "cringeworthy", "painful for the wallet" due to the high costs involved, or "painful to look at" (an ...
The terminology included may relate to prehistoric art of the Jomon and Yayoi periods, Japanese Buddhist art, nihonga techniques using sumi and other pigments and dyes, various artisan crafts such as lacquerware techniques, katana and swordmaking, temple, shrine, and castle architecture, carpentry terms, words relating to kimono making industry ...
Gairaigo are Japanese words originating from, or based on, foreign-language, generally Western, terms.These include wasei-eigo (Japanese pseudo-anglicisms).Many of these loanwords derive from Portuguese, due to Portugal's early role in Japanese-Western interaction; Dutch, due to the Netherlands' relationship with Japan amidst the isolationist policy of sakoku during the Edo period; and from ...
The specific problem is: Many problematic entries: links to non-existent Wiktionary pages, mistaken romanization, misspellings of the Japanese, incorrect glosses. Please help improve this article if you can.
The aesthetic language and conventions of these media have increasingly come to represent the totality of Japanese art and culture abroad as well; the aesthetic of kawaii, for example, originally was derived from traditional concepts within Japanese art dating back to the 15th century, [75] but was explored within popular manga and anime series ...
The kanji 八, meaning 'eight', is written within the triple square. Print by Utagawa Kunimasa, 1796. Mon Family crests or emblems (紋) used on costumes and props in kabuki to identify characters' social status and family affiliations. Monogatari a literary form in traditional Japanese literature; an extended narrative tale comparable to epic ...
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In modern interpretations of traditional Japanese arts and culture, ma is an artistic interpretation of an empty space, often holding as much importance as the rest of an artwork and focusing the viewer on the intention of negative space in an art piece. The concept of space as a positive entity is opposed to the absence of such a principle in ...