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A Kuchipudi artist braids her hair somewhat differently than a Bharatanatyam artist, to reflect the regional traditions, yet wearing flowers are common. Both have symbolic elements embedded in their hair and face jewelry, such as the Vedic symbolisms for the sun and the moon, the soul and the nature, and she sometimes sets her hairdo in the ...
Mungara Yamini Krishnamurthy (20 December 1940 – 3 August 2024) was an Indian classical dancer recognized for her contributions to Bharatanatyam and Kuchipudi. She was a recipient of the Padma Shri (1968), Padma Bhushan (2001), Padma Vibhushan (2016) and Sangeet Natak Akademi Award (1977). [1] [2] [3]
Mallika Sarabhai is an activist and Indian classical dancer and actress from Ahmedabad, Gujarat, India.Daughter of a classical dancer Mrinalini Sarabhai and space scientist Vikram Sarabhai, Mallika is an accomplished Kuchipudi and Bharatanatyam dancer [1] and performer who has specialized in using the arts for social change and transformation.
In Bharatanatyam, the classical dance of India performed by Lord Nataraja, approximately 48 root mudras (hand or finger gestures) are used to clearly communicate specific ideas, events, actions, or creatures in which 28 require only one hand, and are classified as `Asamyuta Hasta', along with 23 other primary mudras which require both hands and are classified as 'Samyuta Hasta'; these 51 are ...
Alekhya Punjala is a Kuchipudi and Bharatanatyam dancer from Telangana. She began her dance studies at the age of four while studying in a Montessori school in Hyderabad, under Dayal Sharan, the dance teacher of the school. [4] She said that Dayal intended to teach her Odissi and Kathak, but she became interested in Bharatanatyam and Kuchipudi.
A description of precursors of Bharatanatyam from the Natya Shastra dated around (500 BCE) [6] [7] and in the ancient Tamil epic Silappatikaram dated around (171 CE), [8] [9] while temple sculptures of the 6th to 9th century CE suggest dance was a refined performance art by the mid-1st millennium CE.
His padams are sung in dance (Bharatanatyam and Kuchipudi) and music recitals. A unique feature of his padams is the practice of singing the anupallavi first then the pallavi (second verse followed by first verse). Most of the padams are of the theme of longing for the coming of the Lord Krishna.
Raudram rasa of the destructive fury of goddess Durga in Bharatanatyam. The theory of rasas still forms the aesthetic underpinning of all Indian classical dance and theatre, such as Bharatanatyam, kathak, Kuchipudi, Odissi, Manipuri, Kudiyattam, Kathakali and others.