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In Bharatanatyam, the classical dance of India performed by Lord Nataraja, approximately 48 root mudras (hand or finger gestures) are used to clearly communicate specific ideas, events, actions, or creatures in which 28 require only one hand, and are classified as `Asamyuta Hasta', along with 23 other primary mudras which require both hands and are classified as 'Samyuta Hasta'; these 51 are ...
Kuchipudi (/ ˌ k uː tʃ ɪ ˈ p uː d i / KOO-chih-POO-dee) is one of the eight major Indian classical dances. [2] It originates from a village named Kuchipudi in the Indian state of Andhra Pradesh. [3] Kuchipudi is a dance-drama performance, with its roots in the ancient Hindu Sanskrit text of Natya Shastra.
Bharatanatyam’s successful revival meant that it was regarded as a classical dance tradition specific to India, as opposed to a cultural dance that had been changed by colonial censorship. [51] It was becoming a modern nation to have a traditional dance that was practiced recreationally and was nationally recognized. [ 64 ]
Swapnasundari is an Indian dancer, an exponent of Kuchipudi and Bharatanatyam, a choreographer and a vocalist. She is a recipient of the Padma Bhushan, given Government of India in 2003, [1] as well as the Sahitya Kala Parishad and Sangeet Natak Akademi Award. Her album Janmabhoomi Meri Pyaari was well received. [2]
[4] [5] [6] The number of Indian classical dance styles ranges from six to eight to twelve, or more, depending on the source and scholar; [7] [8] the main organisation for Indian arts preservation, the Sangeet Natak Academy recognizes eight: Bharatanatyam, Kathak, Kuchipudi, Odissi, Kathakali, Sattriya, Manipuri and Mohiniyattam. [9]
Mallika Sarabhai is an activist and Indian classical dancer and actress from Ahmedabad, Gujarat, India.Daughter of a classical dancer Mrinalini Sarabhai and space scientist Vikram Sarabhai, Mallika is an accomplished Kuchipudi and Bharatanatyam dancer [1] and performer who has specialized in using the arts for social change and transformation.
Raudram rasa of the destructive fury of goddess Durga in Bharatanatyam. The theory of rasas still forms the aesthetic underpinning of all Indian classical dance and theatre, such as Bharatanatyam, kathak, Kuchipudi, Odissi, Manipuri, Kudiyattam, Kathakali and others. Expressing Rasa in classical Indian dance form is referred to as Rasa-abhinaya.
While archeological evidence points to hominids inhabiting the Tamil Nadu region nearly 400 millennia ago, it has been inhabited by modern humans for at least 3,800 years. [1] [2] [3] Tamilakam was the region consisting of the southern part of the Indian Subcontinent including the present day state of Tamil Nadu and was inhabited by the ancient Tamil people. [4]