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"The Love Song of J. Alfred Prufrock" is the first professionally published poem by the American-born British poet T. S. Eliot (1888–1965). The poem relates the varying thoughts of its title character in a stream of consciousness .
In 1915, Ezra Pound, overseas editor of Poetry magazine, recommended to Harriet Monroe, the magazine's founder, that she should publish "The Love Song of J. Alfred Prufrock". [68] Although the character Prufrock seems to be middle-aged, Eliot wrote most of the poem when he was only twenty-two.
The title and lyrics of the song reference the 1915 T. S. Eliot poem "The Love Song of J. Alfred Prufrock". [2] Lead vocalist Brad Roberts called it "a song about being afraid of getting old, which is a reflection of my very neurotic character". [3]
The phrase "there will be time" occurs repeatedly in a section of T. S. Eliot's "The Love Song of J. Alfred Prufrock" (1915), and is often said to be an allusion to Marvell's poem. [10] Prufrock says that there will be time "for the yellow smoke that slides along the street", time "to murder and create", and time "for a hundred indecisions ...
"The Love Song of J. Alfred Prufrock" was set to music by Tony Garone and Scott Harris. The video was made by Tony Garone himself, with illustrations by Julian Peters. [10] [11] In the album I am Nothing, Versus Shade Collapse has produced a musical adaptation of the poem called "An Adaptation of The Love Song of J. Alfred Prufrock." [citation ...
T. S. Eliot in 1920, in a photo taken by Lady Ottoline Morrell. In 1925, Eliot became a poetry editor at the London publishing firm of Faber and Gwyer, Ltd., [4]: pp.50–51 after a career in banking, and subsequent to the success of his earlier poems, including "The Love Song of J. Alfred Prufrock" (1915), "Gerontion" (1920) and "The Waste Land" (1922). [5]
The long quotation from Dante's Inferno that prefaces T. S. Eliot's "The Love Song of J. Alfred Prufrock" is part of a speech by one of the damned in Dante's Hell. The epigraph to E. L. Doctorow's Ragtime quotes Scott Joplin's instructions to those who play his music, "Do not play this piece fast. It is never right to play ragtime fast."
T. S. Eliot cites Inferno, XXVII, 61–66, as an epigraph to "The Love Song of J. Alfred Prufrock" (1915). [15] Eliot cites heavily from and alludes to Dante in Prufrock and Other Observations (1917), Ara vus prec (1920), and The Waste Land (1922). [16] Begun in 1916, Ezra Pound's Cantos take the Comedy as a model. [16]