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Batik tujuh rupa is known to be very rich in color, describing the characteristics of coastal community life which are easy to adapt to outside cultural influences, and are also able to adapt to the influence of inland batik.
The formal elements, those aesthetic effects created by design, upon which figurative art is dependent, include line, shape, color, light and dark, mass, volume, texture, and perspective, [2] although these elements of design could also play a role in creating other types of imagery—for instance abstract, or non-representational or non-objective two-dimensional artwork.
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Wayang golek (wooden puppet) performance, Indonesia The history of the wayang golek began in the 17th century. Initially, the wayang golek art emerged and was born on the north coast of the island of Java, especially in Cirebon, the wayang used is the wayang cepak in the form of a papak or flat head.
Kawung batik (Indonesian: Batik Kawung) is an Indonesian batik motif [1] whose shape is in the form of a circle similar to a kawung fruit (a type of coconut or sometimes also considered as sugar palm or palm fruit) which is neatly arranged geometrically.
Ataa Oko and his third wife, with a coffin in the form of a battleship, about 1960. Ataa Oko Addo (c. 1919 – 9 December 2012) [1] was a Ghanaian builder of figurative palanquins and figurative coffins, and at over 80 years of age he became a painter of Art Brut.
Nueva Figuración (translated New Figuration or Neofiguration) was an artistic movement in Spain and Latin America, specifically Argentina, Mexico, and Venezuela, that embraced a new form of figurative art in response to both abstraction and traditional forms of representation.