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Salome, Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann's German translation of the 1891 French play Salomé by Oscar Wilde, edited by the composer. Strauss dedicated the opera to his friend Sir Edgar Speyer. [1] The opera is famous (at the time of its premiere, infamous) for its "Dance of the Seven Veils".
Salomé is a 1908 opera in one act by Antoine Mariotte to a libretto based on the 1891 French play Salome by Oscar Wilde. However, that work was itself inspired by Flaubert 's Herodias . Mariotte began to compose his opera before the far more famous treatment of the same source by German composer Richard Strauss ( Salome ), but his premiered ...
Allison, John (ed.), Great Opera Houses of the World, supplement to Opera magazine, London 2003; Beauvert, Thierry, Opera Houses of the World, The Vendôme Press, New York, 1995. ISBN 0-86565-978-8; Lynn, Karyl Charna, Opera: the Guide to Western Europe's Great Houses, Santa Fe, New Mexico: John Muir Publications, 1991. ISBN 0-945465-81-5
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The dance first appeared in film in 1908 in a Vitagraph production entitled Salome, or the Dance of the Seven Veils. [6] Brigid Bazlen as Salomé in the biblical epic King of Kings (1961). In the 1953 film Salome, Rita Hayworth performs the dance as a strip dance. She stops the dance before removing her last veil when she sees John's head being ...
Thring had performed in productions of the play on stage numerous times - indeed it was a performance of Salome in England in 1954 that established his reputation over there. [5] Trevor Ling designed the production from drawings done by Aubrey Beardsley. [6] The production was announced in July 1967 and taped in December of that year. [7]
The 1994/1995 San Francisco Opera's season included her Salome in Massenet's Hérodiade. [56] In 1995 Fleming portrayed the Marschallin in Der Rosenkavalier with Houston Grand Opera; sang in Salomé in Massenet's Hérodiade with the Opera Orchestra of New York at Carnegie Hall; [57] and sang Rusalka with the
Illustration for Salome, by Manuel Orazi. A biographer of Wilde, Owen Dudley Edwards, comments that the play "is apparently untranslatable into English", citing attempts made by Lord Alfred Douglas, Aubrey Beardsley, Wilde himself revising Douglas's botched effort, Wilde's son Vyvyan Holland, Jon Pope, Steven Berkoff and others, and concluding "it demands reading and performance in French to ...