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The original version of "Everytime You Go Away" appeared on Hall & Oates's 1980 studio album, Voices, although it was not released as a single. Hall & Oates also recorded it for their 1985 concert album Live at the Apollo.
The other well-known song from Voices is the emotive ballad "Everytime You Go Away", with powerful lead vocals by Hall, who wrote it. [16] British singer Paul Young had a Billboard Number 1 hit with a cover of the song in 1985. [ 16 ]
"Family Man" is a pop rock song written by Mike Oldfield, Tim Cross, Rick Fenn, Mike Frye, Morris Pert, and Maggie Reilly. It became a hit song in 1982 for Mike Oldfield with Maggie Reilly as the vocalist. Daryl Hall and John Oates achieved success a year later with their cover version.
"Everytime You Go Away", written by Hall and featured on the Hall & Oates album Voices, reached No. 1 in the US and Canada in 1985 when covered by Paul Young. The Daryl Hall and John Oates song "She's Gone", which Hall and Oates co-wrote, reached No. 1 on the Billboard Hot Soul Singles chart when covered by Tavares in 1974.
"Everytime You Go Away" was not released as a single but was covered by Paul Young in 1985, when it went to number 1 on the Billboard Hot 100 on July 27, 1985. Voices was the first album that Hall & Oates produced by themselves, working in conjunction with renowned engineer Neil Kernon.
The album went to No. 1 in the UK. That year, Young scored the biggest worldwide hit of his career with "Everytime You Go Away", a cover of a song from the 1980 Hall & Oates album Voices. "Everytime You Go Away" was his biggest success in the U.S. [20] At the 1985 Brit Awards, Young received the award for Best British Male. [21] Associated with ...
It was 1974 when John Oates and Daryl Hall first landed on the Billboard Hot 100 with their hit single “She’s Gone.” Five decades later, Oates says the song still remains one of his favorites.
When Hall and Oates began producing their own records in the early 1980s, they thought back to the things they had learned from watching Mardin. [ 5 ] Hall was particularly satisfied with the first side of the album, calling it the "magic" side with every note "just right".