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The musical score for Crimson Tide was composed by Hans Zimmer and employs a blend of orchestra, choir, and synthesizer sounds. It includes additional music by Nick Glennie-Smith, who also conducted the orchestra, and the choir was conducted by Harry Gregson-Williams. It was released on physical formats on May 16, 1995, by Hollywood Records.
The track actually plays music from two separate scenes. The opening is a heavier and more sinister take on Angelica's theme music; this section of the track highlights the scene where Jack Sparrow realizes that Angelica is the first mate of the Queen Ann's Revenge. Around 21 seconds in and onward takes place exclusively during the Mutiny scene.
The album was released in 2011, by Walt Disney Records and contains selections of music from the movie's score and some albums even never featured music. The music of the film and this album are both credited to composer Hans Zimmer and Rodrigo y Gabriela and producer Hans Zimmer.
In late 2005, Spinefarm managed to release it in Europe. In addition to a show of Nightwish material, the band also performed a medley, "Crimson Tide, Deep Blue Sea", which borrowed melodies from Hans Zimmer's music in the 1995 film Crimson Tide and Trevor Rabin's music in the 1999 film Deep Blue Sea.
Alabama is the setting for the 1995 film Crimson Tide, starring Denzel Washington and Gene Hackman. The boat itself is seen in the movie during the diving scene as it leaves port. [8] Alabama is featured in the films Time Under Fire, On the Beach, and Danger Beneath the Sea, which reused footage from Crimson Tide. [citation needed]
"Roll Tide" is the name of a song by the California-based American folk-rock band Dawes on their studio album We're All Gonna Die, released in September 2016. The song is a melancholy lamentation about love, forgiveness, and reconciliation; it alludes to the Alabama Crimson Tide rallying cry and to the state of Alabama itself, but it also draws ...
3/5 Ben Power’s deft adaptation of Dickens’s sprawling novel emphasises its brilliant characters and eternally relevant themes, but the bleak production and dour music wrestle with one another ...
Crimson Tide, made several years after Days of Thunder, was the critical and commercial success it was, Metcalf says, because after similar excesses on the producers' part like those that occurred on Thunder directors were allowed to reassert themselves. [8] Quentin Tarantino said the film was his favorite big budget racing movie: