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"Pride and Joy" is a song by American singer, guitarist and songwriter Stevie Ray Vaughan and his backing band Double Trouble, released in late 1983 by Epic Records. It lists Vaughan as the writer, but actually it is rewritten from a 1962 record called "I Go Into Orbit" by Johnny Acey.
"Pride and Joy" is a 1963 single by Marvin Gaye, [1] released on the Tamla label. The single, co-written by William "Mickey" Stevenson , Gaye and Norman Whitfield , and produced by Stevenson, was considered to be a tribute to Gaye's then-girlfriend, Anna Gordy . [ 2 ]
Pride and Joy is a music video/live compilation by Stevie Ray Vaughan. It was the original video collection, spanning all of the music videos made from 1983-1989, plus a live track from MTV 's Mardi Gras celebration in February 1987.
"Pride & Joy" (comics), a 2003 Runaways story arc; Pride & Joy, a 2003 comic book mini-series by Garth Ennis and John Higgins; Pride & Joy, a 1995 American sitcom "Pride & Joy" , a 2016 television episode; Pride and Joy: Children's Portraits in the Netherlands, 1500–1700, a 2000–2001 art exhibit
Vaughan's grandfather, Thomas Lee Vaughan, married Laura Belle LaRue and moved to Rockwall County, Texas, where they lived by sharecropping. [1] [nb 1]Stevie's father, Jimmie Lee Vaughan, was born on September 6, 1921. [3]
Released in September 1963 as the follow-up to Gaye's top ten hit, "Pride and Joy", the song peaked at No. 22 on the Hot 100 on 28 December 1963 and also became one of Gaye's earlier international hit singles, making a buzz in the United Kingdom, primarily among dance clubs in London and northern England (particularly Leeds), and also charted ...
"Pride N Joy" is a song by American rapper Fat Joe. The song features Kanye West, Miguel, Jadakiss, Mos Def, DJ Khaled, Roscoe Dash and Busta Rhymes. The song was produced by Bink! and contains additional songwriting from singer Rico Love. According to Joe, the record had been mixed eight times by West before its release. [2]
"Pride" reached number 3 on the UK Singles Chart.The song was the band's first top 40 hit in the United States where it peaked at number 33. It gained considerable US album-oriented rock radio airplay and its video was on heavy rotation on MTV, thus helping U2 continue its commercial breakthrough begun with the War album.